佐田纱白舞蹈在东洋町Komering文化中的应用

Ika Aditia Candra Buana, H. Hartono, T. Triyanto
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引用次数: 0

摘要

萨达·萨拜舞蹈作为南苏门答腊的传统艺术作品之一,尤其是在东奥甘县的Komering Ulu摄政时期,与Komering文化有着非常密切的关系。萨达萨拜舞是居住在南苏门答腊地区的Komering文化的特色之一,是在举行传统婚礼时基于Komering社区的精神而创作的。萨达·萨拜舞是许多科明人在传统婚礼上表演的一种艺术形式。本研究所提出的问题旨在分析在科明文化中发展起来的萨达萨拜舞蹈的特点。所使用的方法是一种定性方法,带有案例研究设计。数据收集技术包括观察、访谈和文献研究。结果表明,萨达萨拜舞是新郎新娘家庭和谐的象征,因此在过去,萨达萨拜舞只有已婚家庭才能参加。当新郎的家人和新娘在舞台上跳舞时,他们看起来非常亲密,这一现象就很明显了。接着,萨达萨拜舞蹈的动作以即兴和探索为主要手法,其主要特点在于舞者的中指。
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Sada Sabai Dance in Komering Culture of East OKU Regency
Sada Sabai dance as one of South Sumatra's traditional art works, especially in East Ogan Komering Ulu Regency is very closely related to Komering culture. Sada Sabai dance is one of the characteristics of the Komering culture that dwells in the South Sumatra region, created based on the spirit of the Komering community when holding a traditional wedding ceremony. Sada Sabai dance is one form of art that is used by many Komering people who are presented during the traditional wedding ceremony. The problem raised in this study aims to analyze the characteristics of the Sada Sabai dance that developed in the Komering culture. The method used is a qualitative method with a case study research design. Data collection techniques include observation, interview and document study. The results showed that Sada Sabai dance was a symbol of the harmony between the bride and groom family, so that in the past Sada Sabai dance was only danced by married families. This phenomenon was clearly seen when the groom's family and the bride danced on the stage how the two of them looked very close to each other. Then, the movement in Sada Sabai dance emphasized improvisation and exploration as its main approach and the main characteristic lied in the middle fingers of the dancers.
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审稿时长
24 weeks
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