歌德动画

IF 0.3 2区 艺术学 0 FILM, RADIO, TELEVISION Animation-An Interdisciplinary Journal Pub Date : 2023-03-01 DOI:10.1177/17468477231155546
Zeke Saber
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引用次数: 0

摘要

变形经常被认为是动画的一个固有特征,但提出这一主张的学者往往忽视了歌德形态学对动画实践和理论的影响。约翰·沃尔夫冈·冯·歌德在18世纪末和19世纪初提出的形态学的最初概念,对我们理解动画的变革性产生了重大影响。在这篇文章中,作者参与了包括Sergei Eisenstein、AndréBazin、Alla Gadasik、Caroline Leaf和其他人在内的人物的理论和实践,以坚持动画在正在进行的形态接受史中的关键但迄今为止未被承认的作用。形态学对形式不断产生的敏感性使我们能够以新的富有成效的方式思考动画的内在实践、目标和暗示,更不用说关于它在电影研究中的地位的有时令人烦恼的话语了。
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Animating Goethe
Metamorphosis is frequently cited as an inherent feature of animation, but scholars who make this claim have routinely disregarded the influence of Goethean morphology on animation practice and theory. Johann Wolfgang von Goethe’s initial conception of morphology, as outlined in the late 18th and early 19th centuries, has had a significant effect on our understanding of the transformative nature of animation. In this article, the author engages with the theory and practice of figures including Sergei Eisenstein, André Bazin, Alla Gadassik, Caroline Leaf and others in order to insist upon animation’s critical but hitherto unacknowledged role in an ongoing history of morphological reception. Morphology’s sensitivity to the continuous coming-into-being of form allows us to think through, in newly productive ways, the intrinsic practices, aims and intimations of animation, not to mention the sometimes vexed discourse about its place in cinema studies.
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来源期刊
Animation-An Interdisciplinary Journal
Animation-An Interdisciplinary Journal FILM, RADIO, TELEVISION-
CiteScore
0.70
自引率
25.00%
发文量
19
期刊介绍: Especially since the digital shift, animation is increasingly pervasive and implemented in many ways in many disciplines. Animation: An Interdisciplinary Journal provides the first cohesive, international peer-reviewed publishing platform for animation that unites contributions from a wide range of research agendas and creative practice. The journal"s scope is very comprehensive, yet its focus is clear and simple. The journal addresses all animation made using all known (and yet to be developed) techniques - from 16th century optical devices to contemporary digital media - revealing its implications on other forms of time-based media expression past, present and future.
期刊最新文献
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