在风中扭曲的:古代不朽的风向标

IF 0.5 3区 历史学 0 CLASSICS Cambridge Classical Journal Pub Date : 2016-12-01 DOI:10.1017/S1750270516000099
Dunstan Lowe
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引用次数: 1

摘要

巨大的风向标作为一种微小但重要的古代青铜雕塑被忽视了。这是第一次对所有三个明确的例子进行集体研究:雅典风塔上所谓的“特里同”,罗马某处的复制品,以及君士坦丁堡青铜四柱塔上有翅膀的女性“阿尼莫多里昂”。我建议将这些雕塑的预定主题确定为气象之神艾奥洛斯和艾瑞斯,从而恢复每个纪念碑的部分原始含义,这是我们古代书面记录的作者所不知道的。我还认为,巨大的风向标最早是在希腊化的亚历山大港发明的,这也许可以解释为什么风之塔和法罗斯一样有八角形的设计,以及为什么风之塔被安装在青铜金字塔上。
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TWISTING IN THE WIND: MONUMENTAL WEATHERVANES IN CLASSICAL ANTIQUITY
Monumental weathervanes have been overlooked as a tiny but important genre of ancient bronze sculpture. This is the first collective study of all three definite examples: the so-called ‘triton’ on the Tower of the Winds in Athens, a copy of this somewhere in Rome, and the winged female ‘Anemodoulion’ on the Bronze Tetrapylon in Constantinople. I propose to identify the intended subjects of these sculptures as the weather-deities Aiolos and Iris, thereby restoring a part of each monument’s original meaning that was unknown to the authors of our ancient written accounts. I also suggest that monumental weathervanes were first invented in Hellenistic Alexandria, which may explain why the Tower of the Winds shared the octagonal design of the Pharos, and why the Anemodoulion was mounted upon a bronze pyramidion.
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