{"title":"17世纪早期德国音乐知识的流通:约翰·赫尔曼·沙因和迈克尔·阿尔滕堡在约翰·卡斯帕·特罗斯特图书馆的音乐诗学论文","authors":"I. M. Groote, Dietrich Hakelberg","doi":"10.1017/S0261127916000073","DOIUrl":null,"url":null,"abstract":"Recent research on the library of Johann Caspar Trost the Elder, organist in Halberstadt, has led to the identification of a manuscript with two unknown treatises on musica poetica, one a lost treatise by Johann Hermann Schein and the other an unknown treatise by Michael Altenburg. Together they offer fresh insights into the learning and teaching of music in the early modern period. The books once owned by Trost also have close connections to his personal and professional life. This article situates the newly discovered manuscript in the framework of book history and Trost’s biography, and discusses the two treatises against the background of contemporary books of musical instruction (Calvisius, Lippius, or Finolt). The historical context of the manuscript, its theoretical sources and its origins all serve to contribute to and further the current understanding of musical education in early modern central Germany. An edition of the treatises is provided.","PeriodicalId":42589,"journal":{"name":"EARLY MUSIC HISTORY","volume":"35 1","pages":"131 - 201"},"PeriodicalIF":0.2000,"publicationDate":"2016-09-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1017/S0261127916000073","citationCount":"0","resultStr":"{\"title\":\"CIRCULATING MUSICAL KNOWLEDGE IN EARLY SEVENTEENTH-CENTURY GERMANY: MUSICA POETICA TREATISES OF JOHANN HERMANN SCHEIN AND MICHAEL ALTENBURG IN THE LIBRARY OF JOHANN CASPAR TROST\",\"authors\":\"I. M. Groote, Dietrich Hakelberg\",\"doi\":\"10.1017/S0261127916000073\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recent research on the library of Johann Caspar Trost the Elder, organist in Halberstadt, has led to the identification of a manuscript with two unknown treatises on musica poetica, one a lost treatise by Johann Hermann Schein and the other an unknown treatise by Michael Altenburg. Together they offer fresh insights into the learning and teaching of music in the early modern period. The books once owned by Trost also have close connections to his personal and professional life. This article situates the newly discovered manuscript in the framework of book history and Trost’s biography, and discusses the two treatises against the background of contemporary books of musical instruction (Calvisius, Lippius, or Finolt). The historical context of the manuscript, its theoretical sources and its origins all serve to contribute to and further the current understanding of musical education in early modern central Germany. An edition of the treatises is provided.\",\"PeriodicalId\":42589,\"journal\":{\"name\":\"EARLY MUSIC HISTORY\",\"volume\":\"35 1\",\"pages\":\"131 - 201\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2016-09-28\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1017/S0261127916000073\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"EARLY MUSIC HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0261127916000073\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"EARLY MUSIC HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0261127916000073","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0
摘要
最近对哈尔伯施塔特(Halberstadt)的风琴手约翰·卡斯帕·特罗斯特(Johann Caspar Trost the Elder)的图书馆进行的研究，发现了一份手稿，其中有两篇关于音乐诗歌的未知论文，一篇是约翰·赫尔曼·沙因(Johann Hermann Schein)的失传论文，另一篇是迈克尔·阿尔滕堡(Michael Altenburg)的未知论文。他们一起为早期现代音乐的学习和教学提供了新的见解。特罗斯特曾经拥有的书籍也与他的个人生活和职业生活密切相关。本文将新发现的手稿置于书籍史和特罗斯特传记的框架中，并在当代音乐教学书籍(卡尔维西乌斯，利皮乌斯或菲诺特)的背景下讨论这两篇论文。手稿的历史背景，它的理论来源和起源都有助于促进和促进当前对早期现代德国中部音乐教育的理解。提供了这些论文的一个版本。
CIRCULATING MUSICAL KNOWLEDGE IN EARLY SEVENTEENTH-CENTURY GERMANY: MUSICA POETICA TREATISES OF JOHANN HERMANN SCHEIN AND MICHAEL ALTENBURG IN THE LIBRARY OF JOHANN CASPAR TROST
Recent research on the library of Johann Caspar Trost the Elder, organist in Halberstadt, has led to the identification of a manuscript with two unknown treatises on musica poetica, one a lost treatise by Johann Hermann Schein and the other an unknown treatise by Michael Altenburg. Together they offer fresh insights into the learning and teaching of music in the early modern period. The books once owned by Trost also have close connections to his personal and professional life. This article situates the newly discovered manuscript in the framework of book history and Trost’s biography, and discusses the two treatises against the background of contemporary books of musical instruction (Calvisius, Lippius, or Finolt). The historical context of the manuscript, its theoretical sources and its origins all serve to contribute to and further the current understanding of musical education in early modern central Germany. An edition of the treatises is provided.
期刊介绍：
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It gives preference to studies pursuing interdisciplinary approaches and to those developing new methodological ideas. The scope is broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society.
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