作为解决问题的工艺:设计和制作的民族志研究

IF 0.2 3区 艺术学 0 ART Journal of Modern Craft Pub Date : 2018-05-04 DOI:10.1080/17496772.2018.1493788
Helen Carnac
{"title":"作为解决问题的工艺:设计和制作的民族志研究","authors":"Helen Carnac","doi":"10.1080/17496772.2018.1493788","DOIUrl":null,"url":null,"abstract":"Trevor Marchand is a well-known anthropologist and Emeritus Professor at the School of Oriental and African Studies, London. His research has traversed areas of making from Minaret building and apprenticeship in Yemen to research at the Building Crafts College, London where he apprenticed himself on a course in fine woodwork. Validating his research through practice, he has become a touchstone for many writers on the crafts. In 2013, he convened a two-day workshop at the “Making Futures” conference in Plymouth, entitled “Craftwork as Problem Solving,” and the outcomes and papers given at this have formed the outline of this volume. The book has thirteen chapters written by “a cross-disciplinary group, consisting of designer makers, artists, an architect, a filmmaker and several anthropologists of craft,” who were invited to “examine the ways that problems are encountered, searched for, conceived of, and resolved in craft” (p. 1). Marchand describes how the term “Craft” is polythetic: the subjects in this book may be described as such, sharing “some but not necessarily all the properties” (p. 8) that Marchand attributes to the crafts: it is indeed very wideranging, from the craft of training Suffolk Punch horses to a chapter on the place of craft in building conservation. Marchand states that his “longer term objectives as an anthropologist (are) to better grasp how craftspeople come to","PeriodicalId":41904,"journal":{"name":"Journal of Modern Craft","volume":"11 1","pages":"173 - 175"},"PeriodicalIF":0.2000,"publicationDate":"2018-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17496772.2018.1493788","citationCount":"0","resultStr":"{\"title\":\"Craftwork as Problem Solving: Ethnographic Studies of Design and Making\",\"authors\":\"Helen Carnac\",\"doi\":\"10.1080/17496772.2018.1493788\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Trevor Marchand is a well-known anthropologist and Emeritus Professor at the School of Oriental and African Studies, London. His research has traversed areas of making from Minaret building and apprenticeship in Yemen to research at the Building Crafts College, London where he apprenticed himself on a course in fine woodwork. Validating his research through practice, he has become a touchstone for many writers on the crafts. In 2013, he convened a two-day workshop at the “Making Futures” conference in Plymouth, entitled “Craftwork as Problem Solving,” and the outcomes and papers given at this have formed the outline of this volume. The book has thirteen chapters written by “a cross-disciplinary group, consisting of designer makers, artists, an architect, a filmmaker and several anthropologists of craft,” who were invited to “examine the ways that problems are encountered, searched for, conceived of, and resolved in craft” (p. 1). Marchand describes how the term “Craft” is polythetic: the subjects in this book may be described as such, sharing “some but not necessarily all the properties” (p. 8) that Marchand attributes to the crafts: it is indeed very wideranging, from the craft of training Suffolk Punch horses to a chapter on the place of craft in building conservation. Marchand states that his “longer term objectives as an anthropologist (are) to better grasp how craftspeople come to\",\"PeriodicalId\":41904,\"journal\":{\"name\":\"Journal of Modern Craft\",\"volume\":\"11 1\",\"pages\":\"173 - 175\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2018-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17496772.2018.1493788\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Modern Craft\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17496772.2018.1493788\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Modern Craft","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17496772.2018.1493788","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

摘要

Trevor Marchand是一位著名的人类学家,也是伦敦大学亚非学院的名誉教授。他的研究跨越了制作领域,从也门的尖塔建筑和学徒到伦敦建筑工艺学院(building Crafts College)的研究,在那里他自学了一门精细木制品课程。通过实践验证他的研究,他已经成为许多工艺作家的试金石。2013年,他在普利茅斯的“制造未来”会议上召开了为期两天的研讨会,题为“工艺作为问题解决方案”,会议上的成果和论文构成了本书的大纲。这本书有13章,由“一个跨学科的小组,由设计师、制造者、艺术家、建筑师、电影制作人和几位工艺人类学家组成”,他们被邀请“研究在工艺中遇到、寻找、构思和解决问题的方式”(第1页)。Marchand描述了“工艺”一词是如何综合的:这本书中的主题可以这样描述,分享“一些但不一定是所有的属性”(第8页),Marchand将其归因于工艺:它确实非常广泛,从训练萨福克拳击马的工艺到关于工艺在建筑保护中的地位的一章。Marchand说他“作为一名人类学家的长期目标是更好地理解手工艺人是如何形成的
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Craftwork as Problem Solving: Ethnographic Studies of Design and Making
Trevor Marchand is a well-known anthropologist and Emeritus Professor at the School of Oriental and African Studies, London. His research has traversed areas of making from Minaret building and apprenticeship in Yemen to research at the Building Crafts College, London where he apprenticed himself on a course in fine woodwork. Validating his research through practice, he has become a touchstone for many writers on the crafts. In 2013, he convened a two-day workshop at the “Making Futures” conference in Plymouth, entitled “Craftwork as Problem Solving,” and the outcomes and papers given at this have formed the outline of this volume. The book has thirteen chapters written by “a cross-disciplinary group, consisting of designer makers, artists, an architect, a filmmaker and several anthropologists of craft,” who were invited to “examine the ways that problems are encountered, searched for, conceived of, and resolved in craft” (p. 1). Marchand describes how the term “Craft” is polythetic: the subjects in this book may be described as such, sharing “some but not necessarily all the properties” (p. 8) that Marchand attributes to the crafts: it is indeed very wideranging, from the craft of training Suffolk Punch horses to a chapter on the place of craft in building conservation. Marchand states that his “longer term objectives as an anthropologist (are) to better grasp how craftspeople come to
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
33.30%
发文量
24
期刊最新文献
Works in Thread and the Emergence of Israeli Fiber Art Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen Anni Albers Grant Wood: American Gothic and Other Fables Live Form, Women, Ceramics, and Community
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1