上海汉语声调的音韵特征

Q2 Arts and Humanities Cahiers de Linguistique Asie Orientale Pub Date : 2017-01-01 DOI:10.1163/19606028-04601001
Jiayin Gao, P. Hallé
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引用次数: 13

摘要

本研究探讨了现代上海汉语声调、发声和音质之间的关系。在低音调音节中,单词初始的障碍通常被描述为不发声和呼吸,而发音的开始则被描述为发声和呼吸。我们的研究基于两个年龄组(20-30岁和60-80岁)的声学和声门电图(EGG)数据。我们的结果在全球范围内与以往的研究一致,但存在显著差异。在低音音节中,虽然单词开头的停顿在大多数情况下是不发音的,但摩擦音通常是发音的。虽然低音调阻塞发作后比高音调发作时元音呼吸更急促,但这种模式在鼻部发作时并不明确。此外,我们的横向数据显示,老年人(尤其是男性)比年轻人更有系统地产生低音调呼吸,这表明呼吸丧失正在发生变化。
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Phonetic and phonological properties of tones in Shanghai Chinese
This study investigates the relations between tone, voicing, and voice quality in modern Shanghai Chinese. In low tone syllables, word-initial obstruent onsets are traditionally described as voiceless and breathy, and sonorant onsets as voiced and breathy.Our study is based on acoustic and electroglottographic (EGG) data from speakers of two age groups (20–30 vs. 60–80 years). Our results are globally in line with previous studies, but with notable differences. In low tone syllables, while word-initial stops are phonetically voiceless most of the time, fricatives are quite often phonetically voiced. While low tone obstruent onsets are followed by breathier vowels than high tone onsets, this pattern is not clear-cut for nasal onsets. Furthermore, our transversal data show that low tone breathiness is more systematically produced by elderly – especially male – speakers, rather than young speakers, suggesting an on-going change towards the loss of breathiness.
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来源期刊
Cahiers de Linguistique Asie Orientale
Cahiers de Linguistique Asie Orientale Arts and Humanities-Language and Linguistics
CiteScore
0.90
自引率
0.00%
发文量
11
期刊介绍: The Cahiers is an international linguistics journal whose mission is to publish new and original research on the analysis of languages of the Asian region, be they descriptive or theoretical. This clearly reflects the broad research domain of our laboratory : the Centre for Linguistic Research on East Asian Languages (CRLAO). The journal was created in 1977 by Viviane Alleton and Alain Peyraube and has been directed by three successive teams of editors, all professors based at the CRLAO in Paris. An Editorial Board, composed of scholars from around the world, assists in the reviewing process and in a consultative role.
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