欧里庇得斯《海伦》中的重逢二人组

IF 0.2 3区 历史学 Q1 Arts and Humanities CLASSICAL QUARTERLY Pub Date : 1989-05-01 DOI:10.1163/EJ.9789004182813.I-862.30
C. Willink
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引用次数: 6

摘要

在这一章中,作者详细阐述了欧里庇得斯的《海伦》中音乐场景所使用的技巧,并详细介绍了其中的每一段。信使们对幽灵海伦失踪的叙述向墨涅劳斯证明,站在他面前的海伦是真正的海伦,完全没有私奔到特洛伊去,他已经与特洛伊分离了十七年。在这种变奏中,最受欢迎的一种技巧是让一个表演者演唱所有的歌曲,而其他的声音要么是三拍子,要么是分裂的抒情诗片段。标点独唱的定义如下:音乐段落,作为一个短的或扩展的组成单元,以独唱者的开头和结尾歌词开始和结束,其中独唱者的话语完全是在另一个演员或合唱队长的话语之间唱出来的。在几个阶段,作者融入了他的重建,使意义更加清晰。关键词:欧里庇得斯;海伦;斯巴达王;音乐现场;单调的声音打断;聚会两人
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The Reunion Duo In Euripides' Helen
In this chapter, the author elaborates the techniques used in musical scenes in Euripides' Helen and details every paragraph from the same. The Messengers narrative of the Phantom Helens disappearance had proved to Menelaus that the Helen standing before him is the real Helen, altogether innocent of elopement to Troy, from whom he had been sundered for seventeen laborious years. A favorite technique in such amoibaia gives all the singing to one performer, while the others utterances are either trimeters or such fragments of divided lyric verses. Punctuated monody is defined as follows: the musical passage, as a short or extended unit of composition, begins and ends with the opening and concluding lyrics of the monodist, whose utterances in it are entirely sung framed between the spoken utterances of another actor or the chorus-leader. At several phases, the author incorporates his reconstruction to make the meaning clearer. Keywords: Euripides; Helen ; Menelaus; musical scene; punctuated monody; Reunion Duo
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: The Classical Quarterly has a reputation for publishing the highest quality classical scholarship for nearly 100 years. It publishes research papers and short notes in the fields of language, literature, history and philosophy. Two substantial issues (around 300 pages each) of The Classical Quarterly appear each year, in May and December. Given the quality and depth of the articles published in The Classical Quarterly, any serious classical library needs to have a copy on its shelves. Published for the The Classical Association
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