{"title":"表演回顾:约翰·韦伯斯特的《马尔菲公爵夫人》","authors":"Peter Malin","doi":"10.1177/01847678221078547d","DOIUrl":null,"url":null,"abstract":"This was more like a street brawl than a genteel or decorous fencing match. Clutching the dead prince, Horatio (Jonathan Livingstone) was given Fortinbras’s closing verdict: ‘he was likely, had he been put on, / To have proved most royally’ (5.2.351–2). Paradoxically, it was McKellen’s Windsor performance that could most easily justify that description. Jumbo’s was altogether something less fusty.","PeriodicalId":42648,"journal":{"name":"CAHIERS ELISABETHAINS","volume":"107 1","pages":"109 - 112"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performance review: The Duchess of Malfi by John Webster\",\"authors\":\"Peter Malin\",\"doi\":\"10.1177/01847678221078547d\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This was more like a street brawl than a genteel or decorous fencing match. Clutching the dead prince, Horatio (Jonathan Livingstone) was given Fortinbras’s closing verdict: ‘he was likely, had he been put on, / To have proved most royally’ (5.2.351–2). Paradoxically, it was McKellen’s Windsor performance that could most easily justify that description. Jumbo’s was altogether something less fusty.\",\"PeriodicalId\":42648,\"journal\":{\"name\":\"CAHIERS ELISABETHAINS\",\"volume\":\"107 1\",\"pages\":\"109 - 112\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CAHIERS ELISABETHAINS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/01847678221078547d\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CAHIERS ELISABETHAINS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/01847678221078547d","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Performance review: The Duchess of Malfi by John Webster
This was more like a street brawl than a genteel or decorous fencing match. Clutching the dead prince, Horatio (Jonathan Livingstone) was given Fortinbras’s closing verdict: ‘he was likely, had he been put on, / To have proved most royally’ (5.2.351–2). Paradoxically, it was McKellen’s Windsor performance that could most easily justify that description. Jumbo’s was altogether something less fusty.