保存大师:爱德华·蒙克和他的素描

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Journal of Urban Culture Research Pub Date : 2012-01-01 DOI:10.14456/JUCR.2012.7
E. Sandbakken, E. S. Tveit
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引用次数: 3

摘要

本文将概述奥斯陆蒙克博物馆的绘画保管员所遇到的挑战。收藏品中有世界著名的艺术品。蒙克的画作经常被要求出借展览,许多人在世界各地旅行。我们需要做的大量工作都与这种贷款有关。然而,该博物馆还拥有大约150幅油画素描,这些素描更需要保护。其中大部分画于1909 - 1916年间;最大的可达5米× 11.5米。蒙克画了许多画,并在户外存放了多年;自蒙克的时代以来,大约有51张被储存起来。他的处理和绘画技术以及储存已经严重恶化了草图,从2006年到2012年进行了广泛的保护。主要的挑战集中在相当大的不稳定油漆区域的固化,但也注意到污染,水损害,盐“荧光”等。
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Preserving a Master: Edvard Munch and His Painted Sketches
This paper will give an overview of challenges encountered by the paintings conservatorsat the Munch Museum in Oslo. The collection contains world-famousartworks. Munch’s paintings are often requested for exhibition loans and manytravel all round the world. A great deal of the work required of us is linked withsuch loans. However, the museum also owns approximately 150 canvas sketches,which are even more in need of conservation. Most of them were painted in theperiod 1909–16; the largest measures up to 5 x 11.5 metres. Munch painted andstored many of them outdoors for years; approximately 51 have been stored onrolls since Munch’s day. His handling and painting techniques and storage haveled to extreme deterioration of the sketches and from 2006–12 extensive conservationhas been conducted. The main challenges were concentrated on the consolidationof considerable areas of unstable paint, but soiling, water damages, saltef"orescence etc. were also attended to.
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来源期刊
Journal of Urban Culture Research
Journal of Urban Culture Research HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
40.00%
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0
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