{"title":"作为戏剧舞台的岛屿：从纳瓦拉到布兰卡蒂的社会剧场","authors":"A. Sgroi","doi":"10.12775/TSP-W.2018.016","DOIUrl":null,"url":null,"abstract":"In the works of Sicilian writers it is easy to notice the transformation of the island into a sort of a big stage with moving characters that become authentic actors who, in the same stage, perform the most disparate roles. The sign of the simulation thus connotes the interweaving of the stories of De Roberto, Tomasi, Consolo, and many others. Here, this theme is analysed, focusing on the most significant texts of the greatest Sicilian writers.","PeriodicalId":32741,"journal":{"name":"Torunskie Studia PolskoWloskie","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Wyspa jako scena teatralna: teatr społeczny od Navarra do Brancatiego\",\"authors\":\"A. Sgroi\",\"doi\":\"10.12775/TSP-W.2018.016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the works of Sicilian writers it is easy to notice the transformation of the island into a sort of a big stage with moving characters that become authentic actors who, in the same stage, perform the most disparate roles. The sign of the simulation thus connotes the interweaving of the stories of De Roberto, Tomasi, Consolo, and many others. Here, this theme is analysed, focusing on the most significant texts of the greatest Sicilian writers.\",\"PeriodicalId\":32741,\"journal\":{\"name\":\"Torunskie Studia PolskoWloskie\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-12-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Torunskie Studia PolskoWloskie\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12775/TSP-W.2018.016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Torunskie Studia PolskoWloskie","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12775/TSP-W.2018.016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Wyspa jako scena teatralna: teatr społeczny od Navarra do Brancatiego
In the works of Sicilian writers it is easy to notice the transformation of the island into a sort of a big stage with moving characters that become authentic actors who, in the same stage, perform the most disparate roles. The sign of the simulation thus connotes the interweaving of the stories of De Roberto, Tomasi, Consolo, and many others. Here, this theme is analysed, focusing on the most significant texts of the greatest Sicilian writers.
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