王菲:中国流行音乐界的明星

Jeroen Groenewegen
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引用次数: 3

摘要

安东尼·冯和迈克尔·柯蒂斯在《作为菲(王菲)的反常:中国流行音乐中的性别政治》(2002年,第273页)中认为,1994年,“菲的明星形象已经开始改变市场逻辑”。明星在华语音乐产业中是如何运作的?王菲是挑战市场逻辑还是强化市场逻辑?中国流行音乐的市场逻辑是什么?什么是流行音乐明星?为了回答这些问题,我将首先从王菲的性别政治、冷静和童稚的雌雄同体来讨论她的戏剧性和跨媒体的明星建构,然后考虑王菲的声音-图像-文本是如何在一个制作团队或多或少的协同努力下产生的。她的明星身份能把这些元素结合在一起吗?
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Faye Wong: stardom in Chinese popular music
In 1994, "Faye's star persona had begun to transform the market logic", argue Anthony Fung and Michael Curtis in 'The anomalies of being Faye (Wong): gender politics in Chinese popular music' (2002, p.273). How does stardom work in the sinophone music industry? Does Faye Wong challenge market logic or reinforce it? What is the market logic of Chinese popular music? What is a pop music star? To answer these questions, I will first focus on Faye Wong's gender politics, coolness and childlike androgyny for a discussion of her theatricality and the construction of stardom across different media and then consider how Faye Wong's sound-image-text results from the more or less concerted efforts of a production team. Can her stardom hold these elements together?
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