鉴定的类型油漆,丙烯酸或乙烯基,在两个当代画家,曼努埃尔维拉里尼奥和佩德罗卡布里塔雷斯的作品,由ATR-FTIR

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2020-04-14 DOI:10.14568/cp2018062
M. E. Araújo, O. Pavlyshyn, A. N. Alves
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引用次数: 0

摘要

很多时候,当代艺术家在他们的第一批作品中使用的材料的记录是稀缺的。如果所研究的作品是在艺术家青年时期进行的,有时艺术家只记得使用了合成材料,而不再有具体类型的记忆。在20世纪的最后几十年,以乙烯基为基础的合成颜料被称为Sabu颜料,以可承受的价格出售,使它们作为更昂贵的丙烯酸颜料的替代品在美术学生中很受欢迎。使用ATR-FTIR光谱技术,可以明确区分Manuel Vilarinho和Pedro Cabrita Reis的两幅早期作品中的丙烯酸和乙烯基颜料,这两幅作品都属于里斯本大学Belas-Artes学院的收藏。从第一个案例中收集的样品呈现丙烯酸颜料的特征峰,而从第二个案例中收集的样品呈现萨布颜料的特征峰。
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Identification of the type of paint, acrylic or vinyl, in works of two contemporary painters, Manuel Vilarinho and Pedro Cabrita Reis, by ATR-FTIR
Many times, records of the materials used by contemporary artists in their first works are scarce. If the work under study has been carried out during the artist youth, sometimes artists just remember to have used synthetic materials but no longer have memory of its specific type. In the last decades of the 20th century, vinyl-based synthetic paints marketed as Sabu paints, were sold at affordable prices making them popular among the students of Fine Arts as substitutes of more expensive acrylic paints. Using the ATR-FTIR spectroscopic technique it was possible to unequivocally distinguish acrylic from vinyl paints in two early works from Manuel Vilarinho and Pedro Cabrita Reis, both belonging to the collection of the Faculdade de Belas-Artes da Universidade de Lisboa. Samples from the first case painting presented the characteristic peaks of acrylic paints while those collected from the second case paint presented the characteristic peaks of Sabu paints.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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