关心要有价值。艺术市场背景下的保存策略

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2021-05-21 DOI:10.14568/CP2020025
João Henrique Macedo Marrocano
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引用次数: 0

摘要

在艺术市场上,如果不脱离保护和修复的指导方针,在当代艺术保护中所采取的行为就无法付诸实施,这是很有可能的。本研究的目的是分析最突出的专业指南是否适合市场框架,或者是否有可能在商业实践中找到分歧或搁置的原因。该工作将基本准则与艺术市场的实际目标进行了比较,并将结果与从国家市场代理人那里收集的关于所提出问题的个人证词进行了定性分析。从这一分析中,有可能确定诊断模型与资产商业环境保护的平衡需求,寻求制定一系列诊断指南,在葡萄牙当代艺术市场的背景下为保护人员提供分析有用性。
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Care to value. Preservation strategies in the Art Market’s context
In the art market, it is a real possibility that the conduct to be adopted in the preservation of contemporary art cannot be put into practice without secession with the conservation and restoration guidelines. The aim of this study is to analyse if the most prominent professional guidelines fit into the market framework, or if it is possible to find divergences or reasons to lay aside in commercial practice. The work compared the fundamental guidelines with the practical objectives of the art market, qualitatively analyzing the results with the personal testimony collected from the agents of the national market on the issue raised. From this analysis, it was possible to identify the need for diagnostic models balanced with the safeguard of the commercial circumstance of the assets, seeking to develop a line of diagnostic guidelines that offer analytical usefulness to the conservator, in actions in the context of the contemporary art market in Portugal.
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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