女同性恋酒吧,档案媒体拼贴和研究创造

IF 0.7 Q3 COMMUNICATION Feminist Media Histories Pub Date : 2022-01-01 DOI:10.1525/fmh.2022.8.2.132
Julianne Pidduck
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引用次数: 0

摘要

本文反思了作者的研究创作项目《After Hours Chez Madame Arthur》作为档案媒体拼贴的思测实践。After Hours是一个回到20世纪70年代女同性恋酒吧Chez Madame Arthur的多媒体装置,于2019年夏天在Never Apart中心展出。在共同研究人员、社区团体、技术人员、研究助理和艺术家的支持下,这些人与我一样对当地酷儿女性的历史着迷,After Hours重新演绎了这个充满故事的酒吧,利用了各种档案媒体的痕迹和时代物品。本文讨论了女同性恋、女权主义者和酷儿历史项目的一些研究创造和非代表性理论的可能性。我探索档案媒体痕迹的启示,在过去和现在之间建立情感和色情关系,特别强调存在,转喻,讲故事和空间。
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Lesbian Bars, Archival Media Bricolage and Research-Creation
This article reflects on the author’s research-creation project entitled After Hours Chez Madame Arthur as a speculative practice of archival media bricolage. After Hours was a multimedia installation returning to the 1970s lesbian bar Chez Madame Arthur mounted at the Centre Never Apart in summer 2019. Made possible by the support of co-researchers, community groups, technicians, research assistants and artists who share my fascination with local queer women’s history, After Hours restaged this storied bar deploying diverse archival media traces and period objects. This essay discusses some of the possibilities of research-creation and non-representational theory for lesbian, feminist, and queer historical projects. I explore the affordances of archival media traces for forging affective and erotic relationships between past and present, with a particular emphasis on presence, metonymy, storytelling, and space.
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来源期刊
Feminist Media Histories
Feminist Media Histories Arts and Humanities-History
CiteScore
0.70
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发文量
18
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