通过副词征服纸莎草作为城堡:赫库兰姆和贺拉斯的烧焦纸莎草中Caecilius Statius的语言痕迹

IF 0.2 0 CLASSICS Journal of Latin Linguistics Pub Date : 2015-05-01 DOI:10.1515/joll-2015-0001
Gualtiero Calboli
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引用次数: 2

摘要

要想把赫库兰姆的一份烧焦的莎草纸当成一座中世纪城堡,就需要找到一些钥匙才能进入这座城堡,尽管像Marcello Gigante(1979: 75)这样有能力的学者将这份莎草纸(Herc.78)归类为“难以辨认的”。然而,多亏了犹他州杨百翰大学(Brigham Young University)的同事们采用的摄影方法,他们使用了一些借鉴美国宇航局(NASA)项目的技术工具,这种难以接近的情况已经部分被克服了。然而,使用脚本之外的一些工具,即一些外部工具,是不可避免的。我论文的标题中有两部分被认为是进入城堡的关键,正如我所说的,即一些关于贺拉斯的文献和另一部分关于城堡的文献,即来自赫库兰姆(Herculanum)的烧焦的莎草纸(Herc. 78)人们可以推测,特别是克努特·克莱夫推测,卡西留斯·斯塔提乌斯的《喜剧的诞生者》在那里举行。至于我,在我相信这部喜剧确实包含在这样一张烧焦的莎草纸上之前,我现在把我的信念归结为一种假设,尽管这是一个非常可能的假设,我们将会看到。我先从贺拉斯说起。
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To conquer a papyrus as a castle through an adverb: Linguistic traces of Caecilius Statius in a burnt papyrus from Herculanum and Horace
Abstract Conceiving of a burnt papyrus from Herculanum as a medieval castle requires finding some keys for entry into this castle, though such a competent scholar as Marcello Gigante (1979: 75) classified this papyrus (Herc.78) as ‘illeggibile’. Thanks, however, to the photographic method employed by colleagues from Brigham Young University in Utah, who used some technical tools borrowed from the NASA program, this inaccessibility has been partially overcome. Nevertheless, the use of some tools beyond the scriptum, i.e. some external tools, is unavoidable. Already in the title two parts of my paper are distinguished as keys to entering the castle, as I said, namely some references to Horace and another one concerning the castle, i.e. a burnt papyrus from Herculanum (Herc. 78) where one can suppose, and in particular Knut Kleve supposed, that Caecilius Statius’ Comedy Foenerator seu Obolostates is held. As for me, before I was persuaded that this comedy was actually contained in such a burnt papyrus, I have now reduced my conviction to a hypothesis, though a very probable hypothesis as we shall see. I begin with Horace.
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50.00%
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