{"title":"真实的影响","authors":"Alisa Lebow","doi":"10.1525/fq.2022.76.1.54","DOIUrl":null,"url":null,"abstract":"On the occasion of his recent essay film Mariner of the Mountains, the queer Brazilian director Karim Aïnouz reflected upon his career in a wide-ranging conversation with FQ contributing editor Alisa Lebow. Spanning themes from Aïnouz’s insider/outsider status as a gay Brazilian with a foreign name to his reputation as a consummate director of “women’s films,” the interview presents a comprehensive overview of Aïnouz’s oeuvre: from his first feature film Madame Satã to his first English-language film Firebrand, about the life of Henry VIII’s last wife Catherine Parr, currently in production.","PeriodicalId":45540,"journal":{"name":"FILM QUARTERLY","volume":"1 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"The Effect of the Real\",\"authors\":\"Alisa Lebow\",\"doi\":\"10.1525/fq.2022.76.1.54\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"On the occasion of his recent essay film Mariner of the Mountains, the queer Brazilian director Karim Aïnouz reflected upon his career in a wide-ranging conversation with FQ contributing editor Alisa Lebow. Spanning themes from Aïnouz’s insider/outsider status as a gay Brazilian with a foreign name to his reputation as a consummate director of “women’s films,” the interview presents a comprehensive overview of Aïnouz’s oeuvre: from his first feature film Madame Satã to his first English-language film Firebrand, about the life of Henry VIII’s last wife Catherine Parr, currently in production.\",\"PeriodicalId\":45540,\"journal\":{\"name\":\"FILM QUARTERLY\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FILM QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/fq.2022.76.1.54\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FILM QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/fq.2022.76.1.54","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
On the occasion of his recent essay film Mariner of the Mountains, the queer Brazilian director Karim Aïnouz reflected upon his career in a wide-ranging conversation with FQ contributing editor Alisa Lebow. Spanning themes from Aïnouz’s insider/outsider status as a gay Brazilian with a foreign name to his reputation as a consummate director of “women’s films,” the interview presents a comprehensive overview of Aïnouz’s oeuvre: from his first feature film Madame Satã to his first English-language film Firebrand, about the life of Henry VIII’s last wife Catherine Parr, currently in production.
期刊介绍：
Film Quarterly has been publishing substantial, peer-reviewed writing on motion pictures since 1958, earning a reputation as the most authoritative academic film journal in the United States. Its wide array of topics, perspectives, and approaches appeals to film scholars and film buffs alike. If you love all types of movies and are eager to encounter new ways of thinking about them, then Film Quarterly is the journal for you! Scholarly analyses of international cinemas, current blockbusters and Hollywood classics, documentaries, animation, and independent, avant-garde, and experimental film and video fill the pages of the journal.
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