{"title":"玩视角:伊拉克战争期间对冲突场景访问控制的亵渎","authors":"Flávio Pinto Valle","doi":"10.1590/1982-25542016222423","DOIUrl":null,"url":null,"abstract":"The embedding of media professionals in military units marked the photojournalistic coverage of Iraq War (2003-11). On the one hand, this practice offered reporters the conditions to perform their activities; on the other, it restricted their freedom of action. In this paper, we propose to observe this device's constitution to control the access of photojournalists inside the conflict scenarios. We will discuss, in particular, the way the photographer Benjamin Lowy performs a profanation of it by playing both with his perspective and that one of the soldiers.","PeriodicalId":30189,"journal":{"name":"Galaxia","volume":"1 1","pages":"106-120"},"PeriodicalIF":0.0000,"publicationDate":"2016-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Jogando com a Perspectiva: A profanação do controle do acesso aos cenários de conflito durante a Guerra do Iraque\",\"authors\":\"Flávio Pinto Valle\",\"doi\":\"10.1590/1982-25542016222423\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The embedding of media professionals in military units marked the photojournalistic coverage of Iraq War (2003-11). On the one hand, this practice offered reporters the conditions to perform their activities; on the other, it restricted their freedom of action. In this paper, we propose to observe this device's constitution to control the access of photojournalists inside the conflict scenarios. We will discuss, in particular, the way the photographer Benjamin Lowy performs a profanation of it by playing both with his perspective and that one of the soldiers.\",\"PeriodicalId\":30189,\"journal\":{\"name\":\"Galaxia\",\"volume\":\"1 1\",\"pages\":\"106-120\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Galaxia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1590/1982-25542016222423\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Galaxia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1590/1982-25542016222423","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Jogando com a Perspectiva: A profanação do controle do acesso aos cenários de conflito durante a Guerra do Iraque
The embedding of media professionals in military units marked the photojournalistic coverage of Iraq War (2003-11). On the one hand, this practice offered reporters the conditions to perform their activities; on the other, it restricted their freedom of action. In this paper, we propose to observe this device's constitution to control the access of photojournalists inside the conflict scenarios. We will discuss, in particular, the way the photographer Benjamin Lowy performs a profanation of it by playing both with his perspective and that one of the soldiers.