The War in Our Backyard. The Bosnia and Kosovo Wars through the Lens of the German Print Media

questions.1 Here is, therefore, my moment of regret with regard to this volume: it could have communicated more with the companion-of-mind, slightly earlier works that have just barely opened up new paths of investigation, much in analogy to the one under scrutiny here. And coincidentally, these too have been greatly and explicitly infl uenced both by Reinhart Koselleck and by the debate between Holm Sundhaussen and Maria Todorova. If this plea to get together reads like a harbinger of what I see as the potential for a more coordinated and eff ective establishment of a renewed trope of research, it is intentional.