Stéphen Rostain, Cristiana Barreto, C. Hamon, Magdalena Ruiz-Marmolejo, André Delpuech
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引用次数: 0
摘要
1848年,探险家弗朗西斯·德·卡斯特诺把一尊巨大的石像从亚马逊带到法国。它描绘了一个生物,显然是人类,蹲着,双手放在胸前。这幅画现在在法国的mus du Quai Branly - Jacques Chirac博物馆展出,它被公开后引起了强烈的争议。19世纪中期,几位巴西知识分子强烈批评法国人“掠夺”他们遗产的傲慢态度。实际上,这种冲突的原因要深刻得多,因为它们影响到国家的特性,然后是信息。无论如何,甚至有人写了一出戏来嘲笑这位探险家。这引起了人们对这件物品真实性的怀疑,这种怀疑一直持续到今天。因此,作者研究了这件文物,以确定它的文化起源,同时分析了现有的参考资料,将其与亚马逊地区的其他文物进行比较。因此,在雕像被发现近170年后,他们能够证实它是美洲印第安人的身份。
The Amazonian statue. A biography of a famous and polemic artifact from Brazil
Abstract A large stone statue was brought from the Amazon to France in 1848 by the explorer Francis de Castelnau. It depicts a being, apparently human, squatting, with his hands on his chest. Now exhibited at the Musée du Quai Branly – Jacques Chirac, this piece created a strong controversy since it was made public. In the mid-19th century, several Brazilian intellectuals strongly criticized the arrogant attitude of the Frenchman who had ‘looted’ their heritage. In reality, the reasons for this conflict are much deeper since they affect the very identity of the nation, then in formation. In any case, even a play was written to mock the explorer. This gave rise to doubts about the authenticity of the object, which has persisted to this day. The authors therefore studied the artifact to determine its cultural origin, while analyzing existing references to compare it with other pieces from the Amazon. They were thus able to validate the statue’s Amerindian identity, nearly 170 years after its discovery.