antun maraČiĆ艺术作品中摄影概念的运用

IF 0.3 Q4 ANTHROPOLOGY Studia Ethnologica Croatica Pub Date : 2022-01-01 DOI:10.17234/sec.34.4
Rozana Vojvoda
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引用次数: 0

摘要

本文以精选的作品为基础,分析了多媒体艺术家Antun mara iki的作品中对摄影的概念运用,从他在70年代中期首次使用模拟黑白摄影到他在2000年至2012年的“杜布罗夫尼克时期”的一系列摄影作品。在70年代中期,艺术家将摄影作为一种必要的工具来记录具有强烈存在主义内涵的作品思想,而在《空框/消失的内容》(1991 - 1994)中发表的一系列战争照片以一种自给自足和象征的方式使用照片,并将概念织物编织到场景本身。mara伊奇自2000年以来的摄影系列的概念框架主要围绕着在生活与艺术之间的阈限空间中长期存在的主题,以及随后将摄影引入艺术语境。本文是开放获取的,并可能根据CC BY-NC-ND 4.0 HR许可的规定进一步分发。
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THE CONCEPTUAL USE OF PHOTOGRAPHY IN THE ARTWORK OF ANTUN MARAČIĆ
Based on selected works, the article analyzes the conceptual use of photography in the work of multimedia artist Antun Maračić, from his first use of analog black-and-white photography in the mid-seventies to a number of photography series from his “Dubrovnik period” that lasted from 2000 to 2012. While the artist uses photography as a necessary tool for recording the ideas of his work with strong existential connotations during the mid-seventies, the series of war photographs published in Emptied Frames / Vanished Contents (1991 – 1994) uses photographs in a self-sufficient and symbolic manner, and the conceptual fabric is woven into the scene itself. The conceptual framework of Maračić's photography series from 2000 onwards is mainly centered around following motifs over a long period of time in the liminal space between life and art and the subsequent introduction of photographs into the context of art. This paper is open access and may be further distributed in accordance with the provisions of the CC BY-NC-ND 4.0 HR licence.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊介绍: Studia ethnologica Croatica is an annual periodical which publishes peer reviewed articles that contribute to the development of empirical, methodological and theoretical insights and findings in the field of ethnology and cultural anthropology. Articles in related disciplines, as well as those with interdisciplinary and trans-disciplinary scope focusing on cultural phenomena and processes, are also welcomed. The journal is primarily focused on the area of Central and Southeast Europe, but it has a much wider outlook thus bringing together scientists of various and differing views, standpoints and approaches, those who come from the mentioned regions as well as those whose research focuses on them. The journal promotes studies based on ethnography, innovative approach to theoretical concepts and creative cultural criticism, grasping at the same time local reflections of the global processes, particularly cultural transformations and continuities in contemporary societies. Occasionally, a part of the journal is devoted to a particular topic related to certain actual issues or perspectives in various specific subdisciplines of ethnology and cultural anthropology. The journal also publishes book reviews.
期刊最新文献
RASCJEPI I PRESJECI ANTROPOLOGIJE I SOCIJALNE PSIHOLOGIJE – INTERDISCIPLINARNOST KROZ TEORIJU SOCIJALNIH REPREZENTACIJA KAO STRATEGIJA U KULTURNIM STUDIJIMA PRIKAZI / REVIEWS THE “PEDANTIC AMATEUR” KARLO DIENEŠ AND THE SOCIAL ROLE OF PHOTOGRAPHY IN THE 1920s PHOTOGRAPHY AND ITS MANY FACES (Introduction to Thematic Section) SVINJE, ŽIRENJE I ZAJEDNIČKO DOBRO: ZAPISI O SOLIDARNOSTI U ZEMLJIŠNIM ZAJEDNICAMA
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