{"title":"“没有政治……我们现在是狂欢节”:讲述21世纪英国LGSM的故事","authors":"Sharif Mowlabocus","doi":"10.16995/olh.323","DOIUrl":null,"url":null,"abstract":"What does it mean that Pride was released in 2014, 30 years after the formation of Lesbians and Gays Support the Miners (LGSM) and the same year in which a Conservative government made same-sex marriage a legal reality in the UK? In this article, I explore the narrativising of LGSM’s story, in order to consider how nostalgia operates in the film. Chiefly, I consider the choices that the screenwriter, Stephen Beresford, made in reconstructing the story of LGSM, and examine what these choices reveal about the changes that have taken place in the political landscape of gay Britain over the last 30 years. Through an analysis of these choices, I argue that Pride offers contemporary audiences a story of radical LGBTQ activism that they can enjoy and celebrate, while side-stepping uncomfortable questions regarding identity politics, single issue politics and the demise of collectivist politics.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":"1 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-09-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":"{\"title\":\"‘No politics … We’re a Mardi Gras now’: Telling the story of LGSM in 21st-Century Britain\",\"authors\":\"Sharif Mowlabocus\",\"doi\":\"10.16995/olh.323\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What does it mean that Pride was released in 2014, 30 years after the formation of Lesbians and Gays Support the Miners (LGSM) and the same year in which a Conservative government made same-sex marriage a legal reality in the UK? In this article, I explore the narrativising of LGSM’s story, in order to consider how nostalgia operates in the film. Chiefly, I consider the choices that the screenwriter, Stephen Beresford, made in reconstructing the story of LGSM, and examine what these choices reveal about the changes that have taken place in the political landscape of gay Britain over the last 30 years. Through an analysis of these choices, I argue that Pride offers contemporary audiences a story of radical LGBTQ activism that they can enjoy and celebrate, while side-stepping uncomfortable questions regarding identity politics, single issue politics and the demise of collectivist politics.\",\"PeriodicalId\":43026,\"journal\":{\"name\":\"Open Library of Humanities\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-09-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"4\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Open Library of Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/olh.323\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Library of Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/olh.323","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
‘No politics … We’re a Mardi Gras now’: Telling the story of LGSM in 21st-Century Britain
What does it mean that Pride was released in 2014, 30 years after the formation of Lesbians and Gays Support the Miners (LGSM) and the same year in which a Conservative government made same-sex marriage a legal reality in the UK? In this article, I explore the narrativising of LGSM’s story, in order to consider how nostalgia operates in the film. Chiefly, I consider the choices that the screenwriter, Stephen Beresford, made in reconstructing the story of LGSM, and examine what these choices reveal about the changes that have taken place in the political landscape of gay Britain over the last 30 years. Through an analysis of these choices, I argue that Pride offers contemporary audiences a story of radical LGBTQ activism that they can enjoy and celebrate, while side-stepping uncomfortable questions regarding identity politics, single issue politics and the demise of collectivist politics.
期刊介绍：
The Open Library of Humanities is a peer-reviewed, open-access journal open to submissions from researchers working in any humanities'' discipline in any language. The journal is funded by an international library consortium and has no charges to authors or readers. The Open Library of Humanities is digitally preserved in the CLOCKSS archive.
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