{"title":"是的,我们要歌颂我们的大能(诗篇147.1):寻找诗篇的音调","authors":"Ad De Keyzer","doi":"10.18820/23099089/actat.sup33.3","DOIUrl":null,"url":null,"abstract":"This article describes the quest for a composition of the psalms. Vatican II proclaimed a wish in the constitution about liturgy. The hours of prayer had to be renewed, so that not only clergy and monastics, but also laymen would be able to join. Psalms formed the heart of these hours of prayer. After Vatican II, there was no liturgic translation in Dutch, nor any music, in order to sing it. In 1970, Kees Waaijman began putting together prayer celebrations. After roughly 50 years of experimenting, a form of prayer arose in which one psalm is central: the Psalm celebration. By now, the series of 150 Psalm celebrations is nearly completed. For the past ten years, Kees Waaijman and the author have sought a composition of the psalms that does justice to both the individuality of the psalm and the praying people of God. Although initially the psalmic stanza arrangement seemed to be a guidance, this gradually appeared not to work. The music drew too much attention at the expense of praying. It is all about facilitating the saying of the psalm verse, consisting of two half verses that are separated and connected by a meditative caesura.","PeriodicalId":39489,"journal":{"name":"Acta Theologica","volume":"1 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ja, goed te deunen onze machtige (Psalm 147,1): De zoektocht naar een toonzetting van de Psalmen\",\"authors\":\"Ad De Keyzer\",\"doi\":\"10.18820/23099089/actat.sup33.3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article describes the quest for a composition of the psalms. Vatican II proclaimed a wish in the constitution about liturgy. The hours of prayer had to be renewed, so that not only clergy and monastics, but also laymen would be able to join. Psalms formed the heart of these hours of prayer. After Vatican II, there was no liturgic translation in Dutch, nor any music, in order to sing it. In 1970, Kees Waaijman began putting together prayer celebrations. After roughly 50 years of experimenting, a form of prayer arose in which one psalm is central: the Psalm celebration. By now, the series of 150 Psalm celebrations is nearly completed. For the past ten years, Kees Waaijman and the author have sought a composition of the psalms that does justice to both the individuality of the psalm and the praying people of God. Although initially the psalmic stanza arrangement seemed to be a guidance, this gradually appeared not to work. The music drew too much attention at the expense of praying. It is all about facilitating the saying of the psalm verse, consisting of two half verses that are separated and connected by a meditative caesura.\",\"PeriodicalId\":39489,\"journal\":{\"name\":\"Acta Theologica\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Acta Theologica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18820/23099089/actat.sup33.3\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"RELIGION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Theologica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18820/23099089/actat.sup33.3","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"RELIGION","Score":null,"Total":0}
Ja, goed te deunen onze machtige (Psalm 147,1): De zoektocht naar een toonzetting van de Psalmen
This article describes the quest for a composition of the psalms. Vatican II proclaimed a wish in the constitution about liturgy. The hours of prayer had to be renewed, so that not only clergy and monastics, but also laymen would be able to join. Psalms formed the heart of these hours of prayer. After Vatican II, there was no liturgic translation in Dutch, nor any music, in order to sing it. In 1970, Kees Waaijman began putting together prayer celebrations. After roughly 50 years of experimenting, a form of prayer arose in which one psalm is central: the Psalm celebration. By now, the series of 150 Psalm celebrations is nearly completed. For the past ten years, Kees Waaijman and the author have sought a composition of the psalms that does justice to both the individuality of the psalm and the praying people of God. Although initially the psalmic stanza arrangement seemed to be a guidance, this gradually appeared not to work. The music drew too much attention at the expense of praying. It is all about facilitating the saying of the psalm verse, consisting of two half verses that are separated and connected by a meditative caesura.
期刊介绍:
Acta Theologica is the official and accredited theological journal of the Faculty of Theology of the University of the Orange Free State, Bloemfontein, South Africa.