{"title":"胡子很重要。拜占庭艺术中宗主教伊格纳修斯的视觉表现","authors":"Bojana Krsmanović, Ljubomir Milanovic","doi":"10.2298/zog1741025k","DOIUrl":null,"url":null,"abstract":"The paper discusses twelve visual depictions that in all like-lihood represent St. Ignatios of Constantinople and were created between the ninth and the thirteenth century. Most of these depictions show Patriarch Ignatios beardless, which re-flects the fact that he was a eunuch of the ἐκτομίας category. The paper analyzes two iconographical elements distinctive of his portraits: beardlessness and youthful appearance. It concludes that, on the one hand, the artists who painted the beardless portraits of Ignatios strove to depict the saint as realistically as possible; while, on the other hand, his beardless and youthful appearance also had a metaphorical meaning and served to highlight the chastity and purity of the eunuch saint.","PeriodicalId":56170,"journal":{"name":"Zograf","volume":"1 1","pages":"25-36"},"PeriodicalIF":0.1000,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art\",\"authors\":\"Bojana Krsmanović, Ljubomir Milanovic\",\"doi\":\"10.2298/zog1741025k\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper discusses twelve visual depictions that in all like-lihood represent St. Ignatios of Constantinople and were created between the ninth and the thirteenth century. Most of these depictions show Patriarch Ignatios beardless, which re-flects the fact that he was a eunuch of the ἐκτομίας category. The paper analyzes two iconographical elements distinctive of his portraits: beardlessness and youthful appearance. It concludes that, on the one hand, the artists who painted the beardless portraits of Ignatios strove to depict the saint as realistically as possible; while, on the other hand, his beardless and youthful appearance also had a metaphorical meaning and served to highlight the chastity and purity of the eunuch saint.\",\"PeriodicalId\":56170,\"journal\":{\"name\":\"Zograf\",\"volume\":\"1 1\",\"pages\":\"25-36\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zograf\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/zog1741025k\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zograf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/zog1741025k","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Beards that matter. Visual representations of Patriarch Ignatios in Byzantine art
The paper discusses twelve visual depictions that in all like-lihood represent St. Ignatios of Constantinople and were created between the ninth and the thirteenth century. Most of these depictions show Patriarch Ignatios beardless, which re-flects the fact that he was a eunuch of the ἐκτομίας category. The paper analyzes two iconographical elements distinctive of his portraits: beardlessness and youthful appearance. It concludes that, on the one hand, the artists who painted the beardless portraits of Ignatios strove to depict the saint as realistically as possible; while, on the other hand, his beardless and youthful appearance also had a metaphorical meaning and served to highlight the chastity and purity of the eunuch saint.