人格魅力:本杰明·富兰克林的《穷理查》与作者的自我表现

Q2 Arts and Humanities Authorship Pub Date : 2016-06-30 DOI:10.21825/AJ.V5I1.2353
Patricia F. Tarantello
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引用次数: 2

摘要

研究本杰明·富兰克林自传的学者用细致入微的措辞描述了他对人物角色的使用,而研究富兰克林早期作品的学者倾向于将人物角色的使用描述为他用来从文本中消除个人细节的一种手段。本文主要关注富兰克林的穷理查德角色,认为他认为文学角色不仅仅是一种保护他匿名的工具,也是一种自我推销和自我表现的手段。富兰克林利用《穷理查德》在文学市场上为自己创造了空间,为年鉴建立了读者群,并为自己创造了积极的公众声誉。富兰克林早期通过虚构的人格来表现真诚和真实的实验,预示了他在《自传》中通过作者角色来表现身份。因此,通过考察富兰克林在《穷理查年鉴》中对身份的建构,我们可以更多地了解他是如何为自己打造公众身份的。
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Persona-lly Appealing: Benjamin Franklin’s Poor Richard and Authorial Self-Representation
While scholarship on Benjamin Franklin’s Autobiography describes his use of persona in nuanced terms, scholarship on Franklin’s earlier writings tends to characterize his use of persona as simply a device he used to eliminate personal details from his texts. This article, focused on Franklin’s Poor Richard persona, argues that he conceived of literary persona not simply as a tool to protect his anonymity, but also as a means of self-promotion and self-representation. Franklin used Poor Richard to make a space for himself in the literary marketplace, build a readership for the almanac, and create a positive public reputation for himself. Franklin’s early experiments in performing sincerity and authenticity through an invented personality prefigure the performances of identity he would deploy through his authorial persona in The Autobiography . Thus, by examining Franklin’s construction of identity in Poor Richard’s Almanack , we learn more about how he crafted a public identity for himself.
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来源期刊
CiteScore
0.20
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0.00%
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审稿时长
24 weeks
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