从17世纪到20世纪初赫瓦尔岛的艺术音乐

IF 0.1 3区 艺术学 0 MUSIC Arti Musices Pub Date : 1900-01-01 DOI:10.21857/Y6ZOLBR08M
M. Milošević
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引用次数: 0

摘要

赫瓦尔岛丰富的艺术遗产是众所周知的,并在各种出版物中有所介绍,主要反映了从中世纪以来在那里不断产生的生动的文学、戏剧和视觉艺术。然而,其文化史的轮廓,因此其居民的文化记忆,通常忽略了艺术音乐的方面-与作者,固定在音乐符号,这通常意味着西欧音乐理论,美学和表演实践的原则-曾经被培养,主要是在赫瓦尔和斯塔里格勒的城市岛屿社区。这种漠视的原因之一可以肯定地发现,缺乏对保存在赫瓦尔和斯塔里格拉德的教堂,私人和公共档案中的音乐来源的基础研究,这有助于进一步发现可以反映他们以前音乐生活的档案音乐材料。因此,为了揭示当地音乐史的特定部分,并发现在教堂圈子,贵族和公民中培养的音乐,我必须从头开始:发现,系统化和列出保存的音乐材料
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Art Music on the Island of Hvar from the 17th Century until the Beginning of the 20th Century
The rich artistic heritage of the Island of Hvar is widely known and represented in various types of publications, mostly as a refl ection of the vivid literary, dramatic and visual arts which have been produced there continuously since the Middle Ages. However, the outlines of its cultural history, and consequently the cultural memory of its inhabitants, commonly disregards the aspect of art music – with authorship, fi xed in musical notation, that generally implies the principles of Western-European music theory, aesthetics and performing practice – that used to be cultivated, primarily in urban island communities of Hvar and Stari Grad. One of the reasons for this disregard can be defi nitely found in the lack of fundamental research on musical sources kept in church, private and public archives of Hvar and Stari Grad, which served as a stimulus to further discoveries of archival musical materials that could refl ect their former musical life. Therefore, in order to throw light on particular segments of local music history and discover music that was cultivated among church circles, noblemen and citizens, I had to start practically from the beginning: discover, systematize and list preserved musical materi-
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来源期刊
Arti Musices
Arti Musices MUSIC-
CiteScore
0.10
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0.00%
发文量
6
审稿时长
6 weeks
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