重新思考李叔文的身份

IF 0.1 2区艺术学 0 ART ARTIBUS ASIAE Pub Date : 1995-01-01 DOI:10.2307/3249763

E. Lillehoj

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引用次数: 0

摘要

单色水墨画被认为是室町时期(1392 - 1569)日本艺术的重要形式。艺术家的身份和归属问题一直困扰着艺术研究。本文着眼于艺术家Ri Shūbun)和关于其身份理论提出了一种新的理论

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Reconsidering the Identity of Ri Shubun

La peinture a l'encre monochrome a ete consideree comme une forme significative de l'art japonais de la periode Muromachi (1392 - 1569). La question de l'identite des artistes et des attributions a tel ou tel a toujours hante les etudes sur l'art. Cet article se penche sur l'artiste Ri Shūbun et propose une nouvelle theorie concernant la theorie de son identite

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来源期刊

ARTIBUS ASIAE Multiple-

CiteScore

0.20

自引率

33.30%

发文量

期刊介绍： ARTIBUS ASIAE is a semi-annual publication of scholarly articles and research notes devoted to the history of art and archaeology of Asia. Initiated in 1925, it is now published by the Museum Rietberg Zurich in cooperation with the Arthur M. Sackler Gallery , Smithsonian Institution, Washington, D.C. Artibus Asiae Publishers have also produced over 45 monographs during the last eight decades (Supplementum Series).