Sakharov, Kireevsky, Afanasyev等人:俄罗斯民俗学背景下的斯特拉文斯基

IF 0.2 N/A MUSIC Muzikologija-Musicology Pub Date : 2023-01-01 DOI:10.2298/muz2334019z
Stamatis Zochios
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引用次数: 0

摘要

本文着重于伊戈尔·斯特拉文斯基在俄罗斯时期创作的主要灵感来源——民歌和故事的研究和收集。为了做到这一点,我首先简要分析民俗学主要在19世纪的演变,以及具有更明确的,主要是国家和爱国的目标和方法的科学建设,以及当时艺术家对民间文学和诗歌的使用。正是在这个领域,斯特拉文斯基很活跃,尽管就他自己的现代方法而言,很难回答他的动机是否明显是民族的。
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Sakharov, Kireevsky, Afanasyev and others: Stravinsky in the context of Russian folkloristics
This article focuses on the studies and collections of folk songs and tales that formed the main source of inspiration for Igor Stravinsky during the Russian period of his work. To do this, I begin with a brief analysis of the evolution of folkloristics mainly during the 19th century and the construction of science with clearer, mainly national and patriotic goals and methods, as well as the use of folk literature and poetry by the artists of the time. It was in this field that Stravinsky was active, although in the case of his own modern approach, it is difficult to answer whether the motivations were clearly national or not.
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CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊最新文献
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