贝多芬钢琴奏鸣曲中的表演手势

IF 0.2 0 MUSIC Muzikologija-Musicology Pub Date : 2023-01-01 DOI:10.2298/muz2334133d
Marija Dinov
{"title":"贝多芬钢琴奏鸣曲中的表演手势","authors":"Marija Dinov","doi":"10.2298/muz2334133d","DOIUrl":null,"url":null,"abstract":"The purpose of this study is to contribute to the discussion of how the character of physical body movements conveys expression and affects the creation of a musical work. The primary focus of this phenomenological study is on kinesthetic gestures or body movements which pianists use in their performances in order to create the musical-poetic content in a corporeal performing form. The main discussion is concentrated on the analysis of movements that emanate from the characteristics of the piano technique, particularly of technical elements in the piano sonatas by Ludwig van Beethoven.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Performative gestures in Beethoven’s piano sonatas\",\"authors\":\"Marija Dinov\",\"doi\":\"10.2298/muz2334133d\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The purpose of this study is to contribute to the discussion of how the character of physical body movements conveys expression and affects the creation of a musical work. The primary focus of this phenomenological study is on kinesthetic gestures or body movements which pianists use in their performances in order to create the musical-poetic content in a corporeal performing form. The main discussion is concentrated on the analysis of movements that emanate from the characteristics of the piano technique, particularly of technical elements in the piano sonatas by Ludwig van Beethoven.\",\"PeriodicalId\":30174,\"journal\":{\"name\":\"Muzikologija-Musicology\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzikologija-Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2298/muz2334133d\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzikologija-Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/muz2334133d","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

本研究的目的是探讨肢体动作的特征如何传达表达并影响音乐作品的创作。这个现象学研究的主要焦点是钢琴家在他们的表演中使用的动觉手势或身体动作,以便在有形的表演形式中创造音乐诗意的内容。主要讨论集中在分析钢琴技术特征,特别是贝多芬钢琴奏鸣曲中的技术元素所产生的动作。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Performative gestures in Beethoven’s piano sonatas
The purpose of this study is to contribute to the discussion of how the character of physical body movements conveys expression and affects the creation of a musical work. The primary focus of this phenomenological study is on kinesthetic gestures or body movements which pianists use in their performances in order to create the musical-poetic content in a corporeal performing form. The main discussion is concentrated on the analysis of movements that emanate from the characteristics of the piano technique, particularly of technical elements in the piano sonatas by Ludwig van Beethoven.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊最新文献
Sakharov, Kireevsky, Afanasyev and others: Stravinsky in the context of Russian folkloristics Expressiveness in Stravinsky’s late works Stravinsky and the post-war generation in France: Aspects of influence Corporeality and dance in the music of Igor Stravinsky Ideology, humanness, and value. On Adorno’s Stravinsky
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1