工业设计和艺术创作的现代范例

Grafia Pub Date : 2014-07-15 DOI:10.26564/16926250.523
C. F. González
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引用次数: 0

摘要

在这一领域,我们提出了一种新的方法,在这种方法中,研究人员和研究人员之间的关系,以及研究人员和研究人员之间的关系,以及研究人员和研究人员之间的关系,以及研究人员和研究人员之间的关系。这些关系是本文的总体目标。然而,在进行研究的过程中,人们意识到,为了进行这样的修订,有必要检查一些被误解的概念,并建立一些最低限度的概念来工作。在这两种创作实践中,艺术和设计之间的关系在历史的发展过程中,并没有被定义为艺术和设计。这一过程的结果是提出了一个概念范畴的使用,称为现代工业设计范式。关键词:工业设计,艺术,工艺,系列生产,乌尔姆学校,范例。********************************************************** 工业设计和艺术创造现代范式Abstract: The design and relationships between art are a problem which is part of The core of notions on which was任职and was way to what today is The给予职业of industrial design。回顾这些关系是本文的总体目标。然而,在进行调查的过程中,人们发现,要进行这样的审查,就必须审查一些概念,并确立最低限度的概念。Not to define what is art design and what is, but what考虑理论notions已经7 in a考验历史relations between two practices of creation。这一过程的结果是提出了一种被称为现代工业设计范式的概念范畴的使用。关键词:工业设计,艺术,工艺,系列生产,乌尔姆学校,范例。********************************************************** 艺术和工业或现代范式do desenho criacao Resumo As relacoes desenho与艺术constituem um nocoes面貌do nucleo一部分关键问题关于As quais constituiu和deu形状或者今日一天感profissao do desenho工业。回顾这些关系和本文的总体目标。然而,在研究过程中,人们意识到,要像提案一样进行修订,有必要检查一些被误解的概念,并建立一些最低限度的概念。不是定义什么是艺术,什么是绘画,而是检查哪些理论概念在历史进程中符合这两种创作实践之间的关系。作为这一过程的结果,提出了一个概念范畴的使用,被称为工业设计的现代范式。关键词:工业设计,艺术,工艺,系列生产,乌尔姆学校,范例
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El paradigma moderno del diseño industrial y la creación artística
Resumen Las relaciones entre diseno y arte constituyen un problema que hace parte del nucleo fundamental de nociones sobre las cuales se constituyo y se le dio forma a lo que hoy en dia es la profesion del diseno industrial. Revisar esas relaciones es el objetivo general de este escrito. Sin embargo, en el transcurso de la investigacion desarrollada, se comprendio que para hacer una revision como la propuesta era necesario examinar algunos conceptos sobreentendidos y establecer unas nociones minimas con las cuales trabajar. No definir que es arte y que es diseno, sino examinar que nociones teoricas han conformado en un transcurrir historico las relaciones entre estas dos practicas de creacion. Como resultado de este proceso se ha propuesto el uso de una categoria conceptual a la que se ha llamado el paradigma moderno del diseno industrial. Palabras clave: Diseno Industrial, arte, artesania, produccion en serie, Escuela de Ulm, paradigma. ********************************************************** The modern paradigm of industrial design and artistic creation Abstract: The relationships between design and art are a problem which is part of the core of notions on which was constituted and was given way to what today is the profession of industrial design. The reviewing these relationships is the overall objective of this writing. However, in the course of the investigation developed, were found that to make this review like is the proposal was necessary to examine some concepts and establish minimum notions with which to work. Not to define what is art and what is design, but consider what theoretical notions have shaped in a passing historical relations between these two practices of creation. As a result of this process, it is proposed the use of a conceptual category that has been called the modern paradigm of industrial design. Key words : Industrial Design, art, crafts, production in series, School of Ulm, paradigm. ********************************************************** O paradigma moderno do desenho industrial e a criacao artistica Resumo As relacoes entre desenho e arte constituem um problema que faz parte do nucleo fundamental de nocoes sobre as quais se constituiu e se deu forma a o que hoje em dia e a profissao do desenho industrial. Revisar essas relacoes e o objetivo geral deste texto. No entanto, no transcurso da investigacao desenvolvida, se compreendeu que para fazer uma revisao como a proposta era necessario examinar alguns conceitos sobre-entendidos e estabelecer umas nocoes minimas com as quais trabalhar. Nao definir o que e arte e o que e desenho, mas examinar que nocoes teoricas conformaram no transcorrer historico as relacoes entre estas duas praticas de criacao. Como resultado de este processo tem se proposto o uso de uma categoria conceitual a qual tem se denominado o paradigma moderno do desenho industrial.  Palavras chave: Desenho industrial, Arte, Artesanato, Producao em serie, escola de Ulm, Paradigma
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