图卢兹音乐学院:“国有化”的挑战(1820-1848)

IF 0.1 1区 艺术学 0 MUSIC REVUE DE MUSICOLOGIE Pub Date : 2006-01-01 DOI:10.2307/20141643
Emmanuel Hondré
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引用次数: 0

摘要

1826年12月20日,一项皇家法令改变了图卢兹市音乐学校的地位,成为巴黎音乐学院的地方分支。其目的是在整合巴黎戏剧公司之前,为注定要在首都继续学习的年轻歌手创建一所当地音乐学校。这个法令可能被认为是无关紧要的,但它标志着法国政府大规模音乐教育政策的开始(1826年至1841年期间扩展到里尔、梅斯和马赛),这应该是为了解决法国过去30年经历的歌唱危机。从1826年开始,图卢兹和巴黎音乐学院之间的关系说明了巴黎与法国其他地区之间的众多紧张关系,这些紧张关系仍然影响着今天的局势。从那时起,在预算、音乐家的交流、教师的提名、检查或教学方法等许多不同的问题上,集权和分权的逻辑一直在斗争。
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L'école de musique de Toulouse : Les enjeux d'une « nationalisation » (1820-1848)
On 20 december 1826, a royal ordinance changed the status of the municipal music school of Toulouse into a local branch of the Conservatoire de Paris. The aim was to create a local music school for young singers destined to continue their studies in the capital city, before integrating Parisian theatrical companies. This ordinance might be considered of minor interest, but it marks the beginning of a large music education policy of the French government (extended to Lille, Metz and Marseille between 1826 and 1841), which was supposed to resolve the crisis of singing undergone by France for the passed 30 years. Starting in 1826, the relationships between Toulouse and Paris Conservatoires illustrate the numerous tensions between Paris and the rest of France which still shape today's situation. Since then, logics of centralization and decentralization struggled over many such different matters as budgets, exchanges of musicians, teachers' nominations, inspections or pedagogical methods.
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