李斯特声乐作品中的变奏法

Oksana Aleksandrova, Nataliya Govorukhina
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引用次数: 0

摘要

这篇文章专门讨论了一种不同的作曲方法,这种方法在20世纪的作曲实践中广泛应用,与弗朗兹·李斯特的作品有着遗传联系。变奏法是作曲家艺术体系的基础,是音乐逻辑和曲式形成的一种属性。通过对李斯特歌曲的功能和结构分析,揭示了李斯特歌曲的类型学相似性,并提出了一种基于主题发展变型原则的分类方法。变型偏转的特征(“An Edlitam”(S. 333;LW。74))和变相(“Gebet”(S. 331;LW。(72)给出了表格。揭示了单色性与变法构图之间的关系。因此,李斯特的声乐缩影与20世纪音乐艺术之间的遗传联系得到了证实。变奏法在音乐与诗歌创作的各个层面(母题-创作-意象-戏剧-思维方式)中呈现为一种系统的形成方法。关键词:变奏法、变奏形式、声乐创作、作曲、主题发展原则
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The Variant Method of Composition in the Vocal Works by Franz Liszt
"The article is devoted to a variant method of composing music, which became widespread in the composing practice of the twentieth century and has genetic links with the work of Franz Liszt. The variant method is presented as the basis of the composer’s artistic system, as a property of musical logic and form formation. During the functional and structural analysis of the songs of F. Liszt, their typological similarity is revealed, and a classification based on the variant principle of thematic development is proposed. The characteristic of variant-strophic (“An Edlitam” (S. 333; LW. 74)) and variant-phase (“Gebet” (S. 331; LW. №72)) forms is given. The relationship between monothematism and the variant method of composition is revealed. As a result, the genetic connection between the vocal miniature of F. Liszt and the musical art of the 20th century is substantiated. The variant method is presented as a system-forming method at all levels of musical and poetic composition (motif-composition-image-drama-way of thinking). Keywords: variant method, variant form, vocal creativity, composition, the principle of thematic development."
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