{"title":"杜比波普和自由爵士。即兴创作的形式和技巧:C.帕克,M.戴维斯和O.科尔曼","authors":"P. Michel, J. Aboucaya, Jean-Pierre Peyrebelle","doi":"10.2307/947232","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":42522,"journal":{"name":"REVUE DE MUSICOLOGIE","volume":"88 1","pages":"449"},"PeriodicalIF":0.1000,"publicationDate":"2002-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.2307/947232","citationCount":"2","resultStr":"{\"title\":\"Du Be-Bop au Free Jazz. Formes et techniques d'improvisation chez C. Parker, M. Davis et O. Coleman\",\"authors\":\"P. Michel, J. Aboucaya, Jean-Pierre Peyrebelle\",\"doi\":\"10.2307/947232\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":42522,\"journal\":{\"name\":\"REVUE DE MUSICOLOGIE\",\"volume\":\"88 1\",\"pages\":\"449\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2002-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.2307/947232\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"REVUE DE MUSICOLOGIE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/947232\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"REVUE DE MUSICOLOGIE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/947232","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}