皮亚索夫中篇小说(《炎热的夏天》、《十字架》)中心理主义的表现形式与手法

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY Vestnik Ugrovedeniya-Bulletin of Ugric Studies Pub Date : 2021-01-01 DOI:10.30624/2220-4156-2021-11-3-461-469
N. Levina
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引用次数: 0

摘要

引言:本文对现代莫尔多瓦散文的代表人物皮亚索夫的中篇小说中的心理分析进行了研究。由于心理主义在作者作品中占据着明显的风格主导地位,对人物内在意图过程的艺术理解的主要形式和技巧成为分析的主题。这部作品符合芬兰-乌戈尔文学研究的复杂性,涉及作家的艺术表达原则和手段。目的:分析皮亚索夫中篇小说中心理主义的艺术表现形式和手法。研究资料:G. Pinyasov的中篇小说。研究的成果和新颖性:研究的主要成果涉及对作者在皮亚索夫散文实验中的心理主义形式和技巧的科学反思,对理解方法和手段的整体性、意义性和功能性的研究,对艺术形象内心世界的全面而深刻的揭示。分析的中篇小说表明作者对揭示一个人的各种心理状态的吸引力,与此相关的情感表现,人物的个人意图完全吸引了作者的注意力。为了创造最完整的艺术形象,对情感、思想、行为动机、欲望、人物表现的诠释,作者结合并补充了外部(视觉肖像、直接作者的反思、个人行为、行动、形象符号、对话、主人公的演讲等)和内部(主人公的独白、自省、闪回、自白、情感反应、思想呈现等)的特征。科学的新颖性是由于对皮亚索夫中篇小说文本空间中心理主义形式和技巧的解释特性和艺术负荷的识别。由于对作者作品的批判材料只是对理解人的性格、人的内心世界的形式和手段的局部描述,因此有必要对作者史诗实验中的心理主义进行实现和系统的分析。
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Author’s forms and techniques of embodiment of psychologism in G. Pinyasov’s novellas («The Hot Summer», «The Cross»)
Introduction: the article is concerned with the study of psychological analysis in G. Pinyasov’s novellas, one of the wellknown representatives of modern Mordovian prose. Due to the fact that psychologism is a pronounced stylistic dominant of the author’s work, the main forms and techniques of artistic comprehension of the processes of internal intentions of the characters became the subject of analysis. The work fits into the complex of studies of Finno-Ugric literary studies concerning the principles and means of artistic expression of the writer. Objective: to present an analysis of artistic forms and techniques of psychologism in G. Pinyasov’s novellas. Research materials: the novellas by G. Pinyasov’s. Results and novelty of the research: the main results of the research are related to the scientific reflection of the author’s forms and techniques of psychologism in the prose experiments of G. Pinyasov, the study of the totality, significance and functionality of methods and means of comprehension, full and deep disclosure of the inner world of artistic images. The analyzed novellas indicate the writer’s attraction to the disclosure of various psychological states of a person, in connection with which the emotional manifestations, individual intentions of the characters completely absorb the author’s attention. In order to create the most complete artistic image, interpretation of feelings, thoughts, motives of behavior, desires, representations of the character, the author combines and complements external (visual portraits, direct author’s reflections, personal actions, actions, images-symbols, dialogues, speech of the hero, etc.) and internal (monologues, introspection of the hero, flashbacks, confessions, emotional reactions, presentation of thoughts, etc.) characteristics. The scientific novelty is due to the identification of the peculiarities of interpretation and artistic load of forms and techniques of psychologism in the text space of G. Pinyasov’s novellas. Due to the fact that the critical material about the author’s work is only a partial description of the forms and means of comprehending the characters of people, their inner world, it becomes necessary to actualize and systematically analyze psychologism in the author’s epic experiments.
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Vestnik Ugrovedeniya-Bulletin of Ugric Studies
Vestnik Ugrovedeniya-Bulletin of Ugric Studies HUMANITIES, MULTIDISCIPLINARY-
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