{"title":"新真诚时代的英雄:对叶夫根尼·格里什科夫茨的独奏曲进行文化、心理和文学分析的尝试","authors":"S. Taratuta, T. Mel’nik","doi":"10.31648/pw.9035","DOIUrl":null,"url":null,"abstract":"The paper presents a study of the nature of the experiencing expression in monodramas by E. Grishkovets. This analysis is based on the idea of the human consciousness layering and the hierarchical principle of the organization of “mental spaces” in it, which was considered by F. E. Vasilyuk in relation to experiencing and its expression. The ideas about the work of experiencing as a movement between different life worlds, which are reflected in the monodramas by Grishkovets, are studied in the paper as a feature of the writer’s idiostyle. The narrator of the one-man theatrical shows is considered as a literary hero of the “New Sincerity” era, which replaced the period of postmodern literature. The article traces the features of the experiencing expression in the monodramas by Grishkovets, the associative nature of the author’s consciousness slipping into other life worlds, and the ways of creating (virtualizing) these life worlds.","PeriodicalId":38116,"journal":{"name":"Przeglad Wschodnioeuropejski","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-06-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Герой эпохи новой искренности: попытка культурологического, психологического и литературоведческого анализа монодрам Евгения Гришковца\",\"authors\":\"S. Taratuta, T. Mel’nik\",\"doi\":\"10.31648/pw.9035\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper presents a study of the nature of the experiencing expression in monodramas by E. Grishkovets. This analysis is based on the idea of the human consciousness layering and the hierarchical principle of the organization of “mental spaces” in it, which was considered by F. E. Vasilyuk in relation to experiencing and its expression. The ideas about the work of experiencing as a movement between different life worlds, which are reflected in the monodramas by Grishkovets, are studied in the paper as a feature of the writer’s idiostyle. The narrator of the one-man theatrical shows is considered as a literary hero of the “New Sincerity” era, which replaced the period of postmodern literature. The article traces the features of the experiencing expression in the monodramas by Grishkovets, the associative nature of the author’s consciousness slipping into other life worlds, and the ways of creating (virtualizing) these life worlds.\",\"PeriodicalId\":38116,\"journal\":{\"name\":\"Przeglad Wschodnioeuropejski\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-06-26\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Przeglad Wschodnioeuropejski\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31648/pw.9035\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Przeglad Wschodnioeuropejski","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31648/pw.9035","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文对格里什科维茨独角戏中体验性表达的本质进行了研究。这种分析是基于人类意识分层的思想和其中“心理空间”组织的分层原则,这是F. E. Vasilyuk在与体验及其表达有关的问题上所考虑的。本文从格里什科韦茨个人戏剧的独特风格出发,对格里什科韦茨个人戏剧中所体现的“体验工作是不同生活世界之间的运动”的思想进行了研究。独角戏的叙述者被认为是取代后现代文学时期的“新诚”时代的文学英雄。本文探讨了格里什科韦茨独角戏的体验表达特征,作者意识滑入其他生活世界的联想性,以及对这些生活世界的创造(虚拟)方式。
Герой эпохи новой искренности: попытка культурологического, психологического и литературоведческого анализа монодрам Евгения Гришковца
The paper presents a study of the nature of the experiencing expression in monodramas by E. Grishkovets. This analysis is based on the idea of the human consciousness layering and the hierarchical principle of the organization of “mental spaces” in it, which was considered by F. E. Vasilyuk in relation to experiencing and its expression. The ideas about the work of experiencing as a movement between different life worlds, which are reflected in the monodramas by Grishkovets, are studied in the paper as a feature of the writer’s idiostyle. The narrator of the one-man theatrical shows is considered as a literary hero of the “New Sincerity” era, which replaced the period of postmodern literature. The article traces the features of the experiencing expression in the monodramas by Grishkovets, the associative nature of the author’s consciousness slipping into other life worlds, and the ways of creating (virtualizing) these life worlds.