作为模拟乐器的礼堂:歌剧院翻修的建筑挑战

Q4 Arts and Humanities Metszet Pub Date : 2022-01-01 DOI:10.33268/met.2022.5.1
Domonkos Wettstein
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引用次数: 0

摘要

“这座建筑是一个模拟乐器”——这不仅可以从声学角度来解释,也可以从历史和当代层之间的关系来解释。这种乐器可以在修复过程中准备,但一旦演出回归舞台,就需要进行微调。整个主礼堂已经恢复到原来的形式,但创新地使用了电气和机械服务,以增强观众的体验。不仅礼堂进行了微调,而且同样的奉献精神也被应用于整个乐器的修复。
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Az auditorium mint analóg hangszer : Az Opera felújításának építészeti kihívásai
"The building is an analog instrument" - which can be interpreted not only in terms of acoustics, but also in connection of relationships between historical and contemporary layers. This instrument can be prepared during the restoration process but awaits fine tuning once performances return to the stage. In whole the main auditorium has been restored to its original form, yet innovative use of electrical and mechanical services has been applied to enhance the spectator's experiences. Not only has the auditorium been fine-tuned, but the same dedication also been applied to restoring this instrument throughout.
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来源期刊
Metszet
Metszet Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.10
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0.00%
发文量
20
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