雷蒙德·卡弗《小好事》中对死亡的接受

IF 0.1 0 LITERATURE Anafora Pub Date : 2019-01-01 DOI:10.29162/anafora.v6i2.6
Tea Duza
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引用次数: 0

摘要

本文讨论雷蒙德·卡弗在他最著名的短篇小说之一《一件小事,好事》中描绘死亡的方式。它将卡弗的极简主义作为一种文学手段来描绘人物之间的交流(或缺乏交流)。这篇论文可以分为三个部分,展示了他的父母在处理主人公斯科蒂的死亡时所经历的不同阶段。第一部分讲述了否认、悲伤,以及人们对所爱之人死亡的不同反应。第二部分阐述了作为卡佛小说主题的沟通不畅,并展示了人物之间沟通的完全中断;比如斯科蒂的父母和医生、面包师、护士之间的关系。最后一部分深入研究了吃东西的行为,这是一种小小的、善意的举动,它能让人们聚在一起,在有人去世时让他们平静下来。最后断言,我们不断地试图理解彼此,但不幸的是,由于语言的不可靠和多面性,我们往往无法做到这一点。
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Acceptance of death in Raymond Carver’s “A Small, Good Thing”
This paper discusses the ways Raymond Carver depicts death in one of his most well-known short stories “A Small, Good Thing.” It deals with Carver’s minimalism as a literary device used to portray the communication (or lack of it) between the characters. The paper may be divided into three parts, showing the different stages of dealing with the protagonist Scotty’s death that his parents go through. The first part addresses denial, grief, and different ways in which people react to the death of a loved one. The second part elaborates on miscommunication as a leitmotif in Carver’s stories and shows the complete breakage of communication between the characters; namely between Scotty’s parents and the doctor, the baker, and the nurses, to name a few. The final part delves into the act of eating as a small, good gesture of kindness that brings people together and calms them down when a person dies. The end asserts that we constantly attempt to understand one another and, unfortunately, often fail to do so because of the unreliable and multi-faceted nature of language.
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来源期刊
Anafora
Anafora LITERATURE-
CiteScore
0.10
自引率
0.00%
发文量
1
审稿时长
20 weeks
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