{"title":"佛罗伦萨大师乔瓦尼(Apollonio di Giovanni, 1415/17-1465)绘画中古代神的形象特征","authors":"M. G. Piven","doi":"10.37953/2079-0341-2020-2-1-210-218","DOIUrl":null,"url":null,"abstract":"In the 15th century in Italy due to the growing attention to humanistic culture, masters of visual arts represented plots and images, that came from poetry and history of Antiquity. This essay is devoted to the specific submission of ancient gods’ images in Apollonio di Giovanni’s book miniatures and decorative paintings. The objects of study are miniatures of the Virgil Codex (MS 492, Riccardian Library), and narrative paintings, which adorn florentine wedding chests (cassoni). The article focuses on visual interpretations of images: compositions, representative techniques, attributes. Despite of common medieval depiction of antique motifs, the master’s work is distinguished by reliance on literary sources, expressed in some details of iconographic solutions.","PeriodicalId":37537,"journal":{"name":"Academia (Greece)","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Specific features of antique gods’ iconography in paintings of Florentine master Apollonio di Giovanni (1415/17–1465)\",\"authors\":\"M. G. Piven\",\"doi\":\"10.37953/2079-0341-2020-2-1-210-218\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the 15th century in Italy due to the growing attention to humanistic culture, masters of visual arts represented plots and images, that came from poetry and history of Antiquity. This essay is devoted to the specific submission of ancient gods’ images in Apollonio di Giovanni’s book miniatures and decorative paintings. The objects of study are miniatures of the Virgil Codex (MS 492, Riccardian Library), and narrative paintings, which adorn florentine wedding chests (cassoni). The article focuses on visual interpretations of images: compositions, representative techniques, attributes. Despite of common medieval depiction of antique motifs, the master’s work is distinguished by reliance on literary sources, expressed in some details of iconographic solutions.\",\"PeriodicalId\":37537,\"journal\":{\"name\":\"Academia (Greece)\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Academia (Greece)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37953/2079-0341-2020-2-1-210-218\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Academia (Greece)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37953/2079-0341-2020-2-1-210-218","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
摘要
在15世纪的意大利，由于对人文文化的日益关注，视觉艺术大师们表现了来自古代诗歌和历史的情节和图像。本文主要探讨了阿波罗尼奥·迪·乔瓦尼(Apollonio di Giovanni)的著作《微缩和装饰画》中古代神祇形象的具体呈现。研究对象是维吉尔手抄本(MS 492，李嘉图图书馆)的微缩模型，以及装饰佛罗伦萨婚礼箱子(卡索尼)的叙事画。本文着重探讨了图像的视觉解读:构图、表现手法、属性。尽管常见的中世纪描绘的古董图案，大师的工作是区分依赖文学来源，表达在一些细节的图像解决方案。
Specific features of antique gods’ iconography in paintings of Florentine master Apollonio di Giovanni (1415/17–1465)
In the 15th century in Italy due to the growing attention to humanistic culture, masters of visual arts represented plots and images, that came from poetry and history of Antiquity. This essay is devoted to the specific submission of ancient gods’ images in Apollonio di Giovanni’s book miniatures and decorative paintings. The objects of study are miniatures of the Virgil Codex (MS 492, Riccardian Library), and narrative paintings, which adorn florentine wedding chests (cassoni). The article focuses on visual interpretations of images: compositions, representative techniques, attributes. Despite of common medieval depiction of antique motifs, the master’s work is distinguished by reliance on literary sources, expressed in some details of iconographic solutions.
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