马丁·路德的形象在19世纪的德国艺术中成为神话的对象(通过以A. N. Radischev命名的萨拉托夫国家艺术博物馆的石器收藏)

Q4 Social Sciences Academia (Greece) Pub Date : 2020-01-01 DOI:10.37953/2079-0341-2020-2-1-239-247
Tatijana E. Savitskaya
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引用次数: 0

摘要

本文考察了19世纪德国神话创作的对象马丁·路德形象及其在艺术中的反映。文章的重点是描绘宴会和音乐制作场景的石制啤酒壶。作者在宴会的参加者中确定了路德本人。在啤酒壶的场景中,教会之父路德的存在是由德国的历史情况来解释的。19世纪的德国是在民族理念的旗帜下度过的。作者证明,在19世纪,路德成为民族神话。德国的统一是资产阶级发展和繁荣的必要基础,因为资产阶级首先需要这个神话。对于民众来说,路德是民族理念的化身(作为文学语言和民族宗教的创造者)。
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The Martin Luther image as an object of myth-making in the German art of 19th century (through the stoneware collection of the Saratov State Art Museum named after A. N. Radischev)
The article considers the Martin Luther image as an object of the myth-making in Germany of the 19th century and its reflection in the art. The main focus of the article is the stoneware beer jug depicting the scene of the feast and the music-making. The author identified Luther person among the participants of the feast. The presence of Father of the Church Luther in the scene on the beer jug is explained by the historical situation in Germany. The 19th-century passes in Germany under the banner of the national idea. The author proves that in the 19th century Luther became the national myth. The unification of Germany was the necessary basis for the development and prosperity of the bourgeoisie, because the bourgeoisie needed this myth first of all. For the population Luther was the personification of the national idea (as the creator of the literary language and the national religion).
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来源期刊
Academia (Greece)
Academia (Greece) Social Sciences-Education
CiteScore
0.50
自引率
0.00%
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0
审稿时长
24 weeks
期刊介绍: ACADEMIA encourages papers on reported research results, procedures and methodologies; theoretical analyses in Higher Education; comparative approaches and international aspects of practice and policy with a view to identifying transferable methods, systems and good practice. ACADEMIA especially wishes to focus on the social dimension of Higher Education and the relationship between University, Democracy and Labor Market.
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