俄罗斯博物馆背景下的现当代艺术

IF 0.6 0 HUMANITIES, MULTIDISCIPLINARY Muzeologia a Kulturne Dedicstvo-Museology and Cultural Heritage Pub Date : 2020-09-01 DOI:10.46284/mkd.2020.8.3.3
M. Biryukova
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引用次数: 1

摘要

这篇文章考虑了当代和现代艺术在博物馆策展项目中的反映。大型博物馆展览的概念基于与以下特质相对应的某些类别:与百年传统的联系,神话制作,滑稽方面和国际性-对其他文化的感知开放。文章分析了20世纪初的展览项目,在这些项目中,当代艺术在传统空间、媒介语境、日常语境和文化神话与符号语境中被展示。在博物馆的空间中强调当代艺术审美价值的确定问题,而代表性艺术品在传统艺术作品的周边得到更大的表现力。策展人有效地运用美学和形式的对比;有时,古典艺术作品本身也提出了理解意义的新方法,假设包括在当代艺术中——就像冬宫博物馆、俄罗斯国家博物馆和特列季亚科夫国家画廊的项目一样,策展人可以将传统与现代结合起来或进行对比。
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Modern and Contemporary Art in the Russian Museum Context
The article considers contemporary and modern art in Russia as reflected in museum curatorial projects. The concepts of large-scale museum exhibitions are based on certain categories that correspond to following qualities: the connection with the centuries-old tradition, myth-making, ludic aspects and internationality – openness to the perception of other cultures. The article analyses exhibition projects in the beginning of the twentieth century, in which contemporary art is demonstrated in the space of tradition, the media context, the everyday context and the context of cultural myths and symbols. The problem of determination of the aesthetic value of contemporary art is stressed in the space of the museum, and represented artworks receive a bigger expressiveness in the neighborhood of works of traditional art. Exhibition curators effectively use aesthetic and formal contrasts; sometimes classical artworks themselves suggest new ways of understanding meanings, hypothetically included in contemporary art – as seen in the projects at the Hermitage, the State Russian Museum and the State Tretyakov Gallery, where curators can unite or contrast tradition and modernity.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
13
审稿时长
45 weeks
期刊最新文献
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