{"title":"格哈德·波彭伯格:“法律的反律”","authors":"Carmen Rivero Iglesias","doi":"10.5209/AMAL.50232","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"7 1","pages":"97-99"},"PeriodicalIF":0.1000,"publicationDate":"2015-09-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Gerhard Poppenberg: \\\"Die Antinomie des Gesetzes\\\"\",\"authors\":\"Carmen Rivero Iglesias\",\"doi\":\"10.5209/AMAL.50232\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":40412,\"journal\":{\"name\":\"Amaltea-Revista de MitocrItica\",\"volume\":\"7 1\",\"pages\":\"97-99\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2015-09-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Amaltea-Revista de MitocrItica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5209/AMAL.50232\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amaltea-Revista de MitocrItica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/AMAL.50232","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
期刊介绍:
Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.