S. G. Schwartz, C. Leffler, P. Chavis, Faraaz A Khan, Dennis Bermudez, H. Flynn
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引用次数: 2
摘要
费德里科·达·蒙特费尔特罗(1422-1482),乌尔比诺公爵,是意大利文艺复兴时期著名的历史人物。他是皮耶罗·德拉·弗朗西斯卡(Piero della Francesca, 1416-1492)的一幅名画的主题,这幅画从左边展示了公爵,突出了他奇怪的鼻子。众所周知,公爵在一次比武比赛中受伤,失去了右眼,这就是为什么这幅画从左边画他的原因。一些历史学家认为,公爵随后接受了鼻部手术,从鼻梁上移除组织,以扩大视野,试图弥补失去的眼睛。从理论上讲,切除一部分鼻子可能会扩大鼻腔的视野,尤其是包括眼球运动的“眼动视野”。此外,切除部分鼻子可能会减轻眼视差的一些影响。最后,视觉自我中心的转移可能已经发生,尽管这似乎与拟议的鼻手术无关。公爵是否真的接受了手术还无法证实,但这似乎不太可能显著改善他的视觉功能。
Federico da Montefeltro (1422–1482), the Duke of Urbino, was a well-known historical figure during the Italian Renaissance. He is the subject of a famous painting by Piero della Francesca (1416–1492), which displays the Duke from the left and highlights his oddly shaped nose. The Duke is known to have lost his right eye due to an injury sustained during a jousting tournament, which is why the painting portrays him from the left. Some historians teach that the Duke subsequently underwent nasal surgery to remove tissue from the bridge of his nose in order to expand his visual field in an attempt to compensate for the lost eye. In theory, removal of a piece of the nose may have expanded the nasal visual field, especially the “eye motion visual field” that encompasses eye movements. In addition, removing part of the nose may have reduced some of the effects of ocular parallax. Finally, shifting of the visual egocenter may have occurred, although this seems likely unrelated to the proposed nasal surgery. Whether or not the Duke actually underwent the surgery cannot be proven, but it seems unlikely that this would have substantially improved his visual function.