从泥到壶:乔治亚州东北部的民间陶工和陶器

IF 0.1 4区 社会学 0 FOLKLORE WESTERN FOLKLORE Pub Date : 2012-01-01 DOI:10.5860/choice.48-2485
Moriah Hart
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From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia by John Burrison joins other notable books in the field of American pottery such as Charles Zug's Turners and Burners: The Folk Potters of North Carolina and Burrison 's earlier masterpiece Brothers in Mud: The Story of Georgia Folk Pottery.This slim volume was written as a sequel and necessary update to the living tradition introduced in Brothers in Mud and as a companion to the exhibition curated by die author at die Folk Pottery Museum of Nordieast Georgia. In his new work, Burrison leads readers through die historic development of die craft in die region, explores die changing landscape of folk pottery and introduces die newest generation of die \"clay clans\" living die art of clay. Aldiough Burrison writes in die introduction that die book is \"intended for a non specialist audience\" (xvii) it is not missing die scholarly insight of die earlier work. It is an insightful and respectful introduction to die field of American ceramics for die non-specialist and an update to Brothers in Mud and die continually evolving field of American folk pottery for scholars in the field.The author has a long history in die field without being a ceramicist himself. His first book introducing die history of pottery in the region, Brothers in Mud, was written in 1983. Since diat time Burrison has continued to develop relationships with his collaborators, taking the path from outsider professor to treasured friend through his long work in the field, showing in this book \"cooperation between scholarship and art\" (xiii) .I have taken a similar path to that of Burrison, just in reverse; I found the study of folklore through my work as a potter. I was very excited when I opened the wrapper and found this very attractive book. The photos are enticing as a visual accompaniment to the written word. 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From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia by John Burrison joins other notable books in the field of American pottery such as Charles Zug's Turners and Burners: The Folk Potters of North Carolina and Burrison 's earlier masterpiece Brothers in Mud: The Story of Georgia Folk Pottery.This slim volume was written as a sequel and necessary update to the living tradition introduced in Brothers in Mud and as a companion to the exhibition curated by die author at die Folk Pottery Museum of Nordieast Georgia. In his new work, Burrison leads readers through die historic development of die craft in die region, explores die changing landscape of folk pottery and introduces die newest generation of die \\\"clay clans\\\" living die art of clay. Aldiough Burrison writes in die introduction that die book is \\\"intended for a non specialist audience\\\" (xvii) it is not missing die scholarly insight of die earlier work. 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引用次数: 2

摘要

从泥到壶:乔治亚州东北部的民间陶工和陶器。约翰·a·伯里森著。(雅典:佐治亚大学出版社,2010。Pp. ix + 161 forward,序言,致谢,注释,关于南方民间陶器的书籍,陶工索引。29.95美元。)陶土成型和用火硬化的工艺已经有3万年的历史了(来自捷克共和国的Dolni Vestonici雕像的年代是25000 - 29000年)。图书馆里摆满了关于考古发掘中发现的陶瓷的书籍,包括古希腊和罗马的陶瓷、中国陶瓷、德尔夫陶器、中美洲前哥伦布时期的陶瓷等等。约翰·伯里逊的《从泥到壶:乔治亚州东北部的民间陶工和陶器》加入了美国陶艺领域的其他著名书籍,如查尔斯·楚格的《turner and Burners: North Carolina的民间陶工》和伯里逊早期的杰作《泥土中的兄弟:乔治亚州民间陶器的故事》。这本薄薄的书是作为续作和必要的更新,以生活的传统介绍了兄弟在泥和作为一个伴侣的展览策划的作者在东北乔治亚州的民间陶瓷博物馆。在他的新作中,Burrison带领读者穿越了模具工艺在模具地区的历史发展,探索了民间陶艺的模具变迁景观,并介绍了最新一代的模具“粘土族”生活在粘土中的模具艺术。Aldiough Burrison在die introduction中写道,die book是“为非专业观众设计的”(xvii),它并没有错过die早期工作的学术见解。对于模具非专业人士来说,这本书是对美国陶瓷模具领域的一次有见地和有敬意的介绍,对于该领域的学者来说,这本书是对美国民间陶瓷模具领域不断发展的更新。作者本人并非陶艺家,但在模具领域有着悠久的历史。他的第一本介绍该地区陶器历史的书《泥中兄弟》(Brothers in Mud)写于1983年。从那时起,Burrison一直在与他的合作者发展关系,通过他在该领域的长期工作,从局外人教授到珍贵的朋友,在这本书中表现为“学术与艺术的合作”(xiii)。我走了与Burrison类似的道路,只是相反;我在做陶工的过程中发现了对民间传说的研究。我很兴奋,当我打开包装,发现这本非常吸引人的书。作为文字的视觉伴奏,这些照片是诱人的。档案中的黑白照片和彩色照片为该地区粘土工艺和文化的持续发展提供了一个视觉年表。…
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From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia
From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia. By John A. Burrison. (Athens: University of Georgia Press, 2010. Pp. ix + 161 forward, preface, acknowledgements, notes, books on Southern Folk Pottery, Index of Potters. $29.95 paper.)The art of shaping clay and hardening it with fire has been practiced for 30,000 years (the Dolni Vestonici figures from die Czech Republic are dated 25,00029,000). Libraries have shelves of books on ceramics found as part of archeological digs, the ceramics of the ancient Greeks and Romans, Chinese ceramics, delftware, Mesoamerican pre-Columbian ceramics and many others. From Mud to Jug: The Folk Potters and Pottery of Northeast Georgia by John Burrison joins other notable books in the field of American pottery such as Charles Zug's Turners and Burners: The Folk Potters of North Carolina and Burrison 's earlier masterpiece Brothers in Mud: The Story of Georgia Folk Pottery.This slim volume was written as a sequel and necessary update to the living tradition introduced in Brothers in Mud and as a companion to the exhibition curated by die author at die Folk Pottery Museum of Nordieast Georgia. In his new work, Burrison leads readers through die historic development of die craft in die region, explores die changing landscape of folk pottery and introduces die newest generation of die "clay clans" living die art of clay. Aldiough Burrison writes in die introduction that die book is "intended for a non specialist audience" (xvii) it is not missing die scholarly insight of die earlier work. It is an insightful and respectful introduction to die field of American ceramics for die non-specialist and an update to Brothers in Mud and die continually evolving field of American folk pottery for scholars in the field.The author has a long history in die field without being a ceramicist himself. His first book introducing die history of pottery in the region, Brothers in Mud, was written in 1983. Since diat time Burrison has continued to develop relationships with his collaborators, taking the path from outsider professor to treasured friend through his long work in the field, showing in this book "cooperation between scholarship and art" (xiii) .I have taken a similar path to that of Burrison, just in reverse; I found the study of folklore through my work as a potter. I was very excited when I opened the wrapper and found this very attractive book. The photos are enticing as a visual accompaniment to the written word. Archival black and white photos and color photos provide a visual chronology to the continuing development of the craft and the culture of clay in the region. …
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WESTERN FOLKLORE FOLKLORE-
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