超现实主义思想对服装设计的影响

Marija Kertakova
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引用次数: 1

摘要

时装模特、设计师和制造商为现代人生产服装的努力,在设计服装时导致了各种各样的风格倾向。然而,它们是基于与人体物理参数的不变性有关的原型原则和与服装的设计、生产、销售和使用有关的心理-生理需求。艺术家和时装设计师,以及消费者-创造者链上的所有其他角色,都在重新思考自己的角色。服装作为一件艺术品的价值是显而易见的,但对现代人来说,穿着者所穿的衣服作为其文化和哲学教义的信息也很重要。艺术和服装之间的关系对普通人来说是非典型的,但只有对这两种对象都有特别透彻的了解并理解时尚是应用艺术的一部分的人(这意味着时尚是自己的方式-非常个性化的特定艺术类型)。结合以上作品,我的研究对象是对二十世纪绘画艺术经验——超现实主义在二十世纪和二十一世纪服装中的模拟、加工和应用的过程。绘画艺术元素的转移是如何完成的,它们在20世纪和21世纪工作的世界著名设计师的一些最具代表性的模型中是如何适应和修改的?
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The influence of ideas of surrealism in fashion design
The eff orts of fashion modellers, designers, and manufacturers to produce clothing for the modern man have led to a huge variety of stylistic tendencies when designing the clothes. However, they are based on both archetypal principles related to the immutability of the physical parameters of the human body and its psycho-physical needs, related to the design, production, sale and use of clothing. The artist and fashion designer, as well as all the other fi gures in the consumer-creator chain, are rethinking their role. The value of clothing as a work of art comes to the fore, but it is also very important for the modern man to be signifi cative with the help of clothes which the wearer wears as information on his cultural and philosophical doctrine. The relationship between art and costume is atypical for an average person, but only for one who has a particularly thorough knowledge of both objects and understands that fashion is part of applied art (which means that fashion is on its own way – very individual specifi c kind of art). In connection with the above works, the object of my research is the process of emulation, processing and applying the artistic experience of XX century painting – i.e. Surrealism in the costume of XX and XXI centuries. How was the transfer of the artistic elements of painting done, their adaptation and modifi cation in some of the most emblematic models of world-famous designers working in the XX and XXI centuries.
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审稿时长
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