巴洛克音乐的原则:即兴,装饰,复调

Svetlana Stojanović-Kutlača
{"title":"巴洛克音乐的原则:即兴,装饰,复调","authors":"Svetlana Stojanović-Kutlača","doi":"10.5937/ZbAkUm1604122S","DOIUrl":null,"url":null,"abstract":"The analysis of mutual dependence of historical compositional, historical interpretative practice and the properties of historical instruments is essential for baroque style revival. The Baroque music epoch is dominated by the neo-Platonic idea of the ability of music to demonstrate harmony in cosmos, human society and nature. The three basic principles of baroque music, improvisation, ornamentation and polyphony, are all rooted in the idea of music harmony, whose 'key' has been hidden in figured (thorough) bass. Reconsideration of the Italian, French and German baroque music reveals various concepts of universal harmony, and different ways of its reflections in music. Baroque music revival reconsiders the ancient question of the role of music in society and the interpreter's power. The true value of historical interpretative practice revival is seen as revitalization of the musician's freedom, creativity and inspiration in the improvisation practice.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"39 1","pages":"122-132"},"PeriodicalIF":0.0000,"publicationDate":"2016-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Principles of baroque music: Improvisation, ornamentation, polyphony\",\"authors\":\"Svetlana Stojanović-Kutlača\",\"doi\":\"10.5937/ZbAkUm1604122S\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The analysis of mutual dependence of historical compositional, historical interpretative practice and the properties of historical instruments is essential for baroque style revival. The Baroque music epoch is dominated by the neo-Platonic idea of the ability of music to demonstrate harmony in cosmos, human society and nature. The three basic principles of baroque music, improvisation, ornamentation and polyphony, are all rooted in the idea of music harmony, whose 'key' has been hidden in figured (thorough) bass. Reconsideration of the Italian, French and German baroque music reveals various concepts of universal harmony, and different ways of its reflections in music. Baroque music revival reconsiders the ancient question of the role of music in society and the interpreter's power. The true value of historical interpretative practice revival is seen as revitalization of the musician's freedom, creativity and inspiration in the improvisation practice.\",\"PeriodicalId\":31481,\"journal\":{\"name\":\"Zbornik Radova Akademije Umetnosti\",\"volume\":\"39 1\",\"pages\":\"122-132\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Zbornik Radova Akademije Umetnosti\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5937/ZbAkUm1604122S\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Zbornik Radova Akademije Umetnosti","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5937/ZbAkUm1604122S","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

分析历史作曲、历史诠释实践和历史乐器的特性三者之间的相互依存关系,是巴洛克风格复兴的必要条件。巴洛克音乐时代的主导思想是新柏拉图主义,即音乐能够表现宇宙、人类社会和自然的和谐。巴洛克音乐的三个基本原则,即兴,装饰和复调,都植根于音乐和谐的理念,其“关键”隐藏在数字(彻底)低音中。重新审视意大利、法国和德国的巴洛克音乐,揭示了普遍和谐的各种概念,以及它在音乐中的不同反映方式。巴洛克音乐的复兴重新思考了音乐在社会中的角色和阐释者的力量这一古老的问题。历史诠释实践复兴的真正价值在于重新激发音乐家在即兴实践中的自由、创造力和灵感。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Principles of baroque music: Improvisation, ornamentation, polyphony
The analysis of mutual dependence of historical compositional, historical interpretative practice and the properties of historical instruments is essential for baroque style revival. The Baroque music epoch is dominated by the neo-Platonic idea of the ability of music to demonstrate harmony in cosmos, human society and nature. The three basic principles of baroque music, improvisation, ornamentation and polyphony, are all rooted in the idea of music harmony, whose 'key' has been hidden in figured (thorough) bass. Reconsideration of the Italian, French and German baroque music reveals various concepts of universal harmony, and different ways of its reflections in music. Baroque music revival reconsiders the ancient question of the role of music in society and the interpreter's power. The true value of historical interpretative practice revival is seen as revitalization of the musician's freedom, creativity and inspiration in the improvisation practice.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
15
审稿时长
4 weeks
期刊最新文献
An artistic interpretation of the first museum non-object Meisterstreich: The formation of the concept of genius and the end of normative aesthetics The concept of life in Soviet art history and paintings of the 1920s The symbolic connotations of shoes in Nika Autor's films Switching places: Theater projects of Olja Lozica
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1