{"title":"1714年,十二位威尼斯画家证明了画作的真实性","authors":"Lubomír Slavíček","doi":"10.5817/oha2022-1-2-16","DOIUrl":null,"url":null,"abstract":"The article publishes an interesting cultural and historical document, a list one hundred paintings by Italian, Dutch and German artists from the 15th to the 17th centuries, compiled in the autumn of 1714 by twelve Venetian painters, mostly members of the local Collegio dei Pittori. This notarized certificate (today at the Archive of the National Gallery in Prague), in which they confirmed with their signatures the authenticity of the pictures under assessment and the authenticity of their authorship as declared, was donated in 1934 to the Society of Patriotic Friends of Art, predecessor of the National Gallery in Prague, by collector Joe Hloucha (1881–1957). However, its earlier provenance has yet to be determined. The introductory text sheds light on the emergence of similar experts' reports, which in Venice were a necessary precondition for the trade in Old Masters paintings. At the same time, it seeks to present the personalities of well-known but now more or less forgotten painters who compiled the certificate, bringing us closer to the authorial, thematic and genre mix of the picture collection, and last but not least to indicate the possible identification of some of the works of art recorded in the listing.","PeriodicalId":35074,"journal":{"name":"Opuscula Historiae Artium","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"afermo quanto di sopra con mio giuramento\\\" : dvanáct benátských malířů osvědčuje v roce 1714 pravost obrazů\",\"authors\":\"Lubomír Slavíček\",\"doi\":\"10.5817/oha2022-1-2-16\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article publishes an interesting cultural and historical document, a list one hundred paintings by Italian, Dutch and German artists from the 15th to the 17th centuries, compiled in the autumn of 1714 by twelve Venetian painters, mostly members of the local Collegio dei Pittori. This notarized certificate (today at the Archive of the National Gallery in Prague), in which they confirmed with their signatures the authenticity of the pictures under assessment and the authenticity of their authorship as declared, was donated in 1934 to the Society of Patriotic Friends of Art, predecessor of the National Gallery in Prague, by collector Joe Hloucha (1881–1957). However, its earlier provenance has yet to be determined. The introductory text sheds light on the emergence of similar experts' reports, which in Venice were a necessary precondition for the trade in Old Masters paintings. At the same time, it seeks to present the personalities of well-known but now more or less forgotten painters who compiled the certificate, bringing us closer to the authorial, thematic and genre mix of the picture collection, and last but not least to indicate the possible identification of some of the works of art recorded in the listing.\",\"PeriodicalId\":35074,\"journal\":{\"name\":\"Opuscula Historiae Artium\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Opuscula Historiae Artium\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5817/oha2022-1-2-16\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Opuscula Historiae Artium","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5817/oha2022-1-2-16","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章发表了一份有趣的文化和历史文献,列出了意大利、荷兰和德国艺术家从15世纪到17世纪的100幅画作,这些画作是由12位威尼斯画家在1714年秋天编纂的,他们大多是当地皮托里学院(Collegio dei Pittori)的成员。这份经公证的证书(现保存在布拉格国家美术馆档案馆)由收藏家乔·赫卢查(Joe Hloucha, 1881-1957)于1934年捐赠给布拉格国家美术馆的前身爱国艺术之友协会(Society of Patriotic Friends of Art),他们在证书上签名确认了被评估照片的真实性,并声明了这些照片的作者身份。然而,其早期来源尚未确定。介绍性文字阐明了类似专家报告的出现,这在威尼斯是早期大师画作交易的必要先决条件。与此同时,它试图展示那些编撰该证书的知名但现在或多或少被遗忘的画家的个性,使我们更接近这些图片收藏的作者、主题和流派组合,最后但并非最不重要的是,表明清单中记录的一些艺术作品的可能身份。
"afermo quanto di sopra con mio giuramento" : dvanáct benátských malířů osvědčuje v roce 1714 pravost obrazů
The article publishes an interesting cultural and historical document, a list one hundred paintings by Italian, Dutch and German artists from the 15th to the 17th centuries, compiled in the autumn of 1714 by twelve Venetian painters, mostly members of the local Collegio dei Pittori. This notarized certificate (today at the Archive of the National Gallery in Prague), in which they confirmed with their signatures the authenticity of the pictures under assessment and the authenticity of their authorship as declared, was donated in 1934 to the Society of Patriotic Friends of Art, predecessor of the National Gallery in Prague, by collector Joe Hloucha (1881–1957). However, its earlier provenance has yet to be determined. The introductory text sheds light on the emergence of similar experts' reports, which in Venice were a necessary precondition for the trade in Old Masters paintings. At the same time, it seeks to present the personalities of well-known but now more or less forgotten painters who compiled the certificate, bringing us closer to the authorial, thematic and genre mix of the picture collection, and last but not least to indicate the possible identification of some of the works of art recorded in the listing.