{"title":"21世纪纪录片的历史化:金纪勋纪录片的《扩展领域:新媒体与21世纪纪录片》与凯特·纳什纪录片的《互动纪录片:理论与辩论》述评","authors":"Daniel Rudin","doi":"10.1080/17503280.2023.2270945","DOIUrl":null,"url":null,"abstract":"What counts as documentary in the twenty-first century? More importantly, is documentary studies capable of contributing to a discourse that can both define the contours of and point beyond the pas...","PeriodicalId":43545,"journal":{"name":"Studies in Documentary Film","volume":"11 40","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Historicizing twenty-first century documentary: A review of Jihoon Kim’s Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary and Kate Nash’s Interactive Documentary: Theory and Debate\",\"authors\":\"Daniel Rudin\",\"doi\":\"10.1080/17503280.2023.2270945\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What counts as documentary in the twenty-first century? More importantly, is documentary studies capable of contributing to a discourse that can both define the contours of and point beyond the pas...\",\"PeriodicalId\":43545,\"journal\":{\"name\":\"Studies in Documentary Film\",\"volume\":\"11 40\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-10-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Documentary Film\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17503280.2023.2270945\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Documentary Film","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17503280.2023.2270945","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Historicizing twenty-first century documentary: A review of Jihoon Kim’s Documentary's Expanded Fields: New Media and the Twenty-First-Century Documentary and Kate Nash’s Interactive Documentary: Theory and Debate
What counts as documentary in the twenty-first century? More importantly, is documentary studies capable of contributing to a discourse that can both define the contours of and point beyond the pas...
期刊介绍：
Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
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