古巴语境下的海明威:重温他的想象

The Hemingway Review Pub Date : 2022-03-01 DOI:10.1353/hem.2022.0006

Carlos A. Peón Casas

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摘要

摘要:该文集通过古巴和波多黎各学者的批评观点，重新审视海明威在古巴的经历。卡洛斯Peón卡萨斯的《古巴语境中的海明威》反映了海明威在古巴的流行形象，以及他的作品是如何影响古巴作家的。恩里克·Cirules的《欧内斯特·海明威与安东尼奥·加托诺褪色的名声》探讨了海明威在古巴艺术家安东尼奥·加托诺的生活中所扮演的角色。Raúl比利亚雷亚尔和迈克尔·库里的《斗牛士与囚犯》为海明威与旧金山德保拉人民的关系提供了新的背景，其中包括发生在Finca Vigía的两起此前未发表的事件。最后一篇文章是格雷戈里·斯蒂芬斯(Gregory Stephens)的《影响下的父亲》(father Under The Influence)，深入探讨了在古巴的特殊背景下，酗酒和失去父母监护权是如何塑造海明威成为父亲的方式的。

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Hemingway in Cuban Contexts: Revisiting Reaches of his Imagination

Abstract:The collection revisits Hemingway's experiences in Cuba through critical views from scholars in Cuba and Puerto Rico. Carlos Peón Casas's "Hemingway in Cuban Contexts" reflects on Hemingway's popular image in Cuba and on how work has influenced Cuban writers. Enrique Cirules's "Ernest Hemingway and the Faded Fame of Antonio Gattorno" examines Hemingway's role in the life of Cuban artist Antonio Gattorno. "El Picador and the Prisoner," by Raúl Villarreal and Michael Curry, delivers new context to Hemingway's relationship with the people of San Francisco de Paula, including two previously unpublished incidents that occurred at the Finca Vigía. The final piece, "Fathering Under the Influence" by Gregory Stephens, delves into how alcoholism and loss of parental custody, in a specifically Cuban context, shaped Hemingway's approach to fatherhood.

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The Hemingway Review

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