以合成物代替真品:鲁道夫·斯坦纳的生物动力创新在推进尤斯·苏普拉托的地方农业传统知识方面的贡献

M. D. Marianto, R. Goodfellow, H. B. Prasetya, M. Purbasari
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引用次数: 0

摘要

1970年,印尼总统苏哈托的新秩序政府正式采用了被称为“绿色革命”的国际农业生产体系。这就要求印尼农民采用所谓的现代农业方法,作为第一个五年国家发展计划的一部分,该计划强调“Swasembada Pangan”,即粮食生产自给自足。从那时起,化学肥料、杀菌剂、除草剂和杀虫剂一直在印度尼西亚的传统农业中持续广泛使用。与此同时,国际同行评议的科学研究报告了它们的广泛使用对复杂生态系统的有害影响,特别是对蜜蜂等传粉昆虫种群的有害影响。这种情况让很多人非常担忧,其中包括印尼艺术家尤斯·苏普拉托(Yos Suprapto),他通过非传统的创作实践来表达自己的社会参与。自2009年以来,Suprapto率先采用生物动力农业(BDA)系统种植水稻,该系统由奥地利教育家和创新者鲁道夫·斯坦纳(Rudolf Steiner)于1924年开发。Yos Suprapto认为,与艺术一样,农业也需要创新和新奇,以及对人类系统的深入了解。这包括认识到与现代世界相关的缺点,即依赖复杂的制造过程,通常位于国外,以及日益脆弱和中断的国际供应链网络。因此,农业是Yos Suprapto的“画布”,他“画”的颜色是他的庄稼,以及他不仅能看到世界的现状,而且能看到世界应该有的样子的能力。本研究使用生产性解释学和美学参与理论来更好地理解为什么Yos Suprapto坚持实施有机农业技术,以及他如何利用当地口头传统、当地材料和当地生产的水稻品种,在不使用合成肥料的情况下提高收成,并在这样做的过程中,不仅支持和推进了传统知识和悠久的文化习俗,还有当地人类的粮食安全。
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Substituting The Synthetic For The Authentic: The Contribution of Rudolf Steiner’s Biodynamic Innovations in Advancing Yos Suprapto’s Traditional Knowledge of Local Agriculture
In 1970, Indonesian President Suharto’s New Order Government formally adopted an international system of agricultural production known as ‘The Green Revolution.’ This required Indonesian farmers to adopt so-called modern farming practices as part of the first five-year national development program, which incorporated an emphasis on ‘Swasembada Pangan,’ or food production self-sufficiency. Chemical-based fertilizers, fungicides, herbicides and pesticides have been in continuous and widespread use in conventional farming in Indonesia ever since. Concurrently, international peer-reviewed scientific research has reported the detrimental effects of their widespread use on complex ecosystems, in particular, on pollinating insect populations such as bees. This situation greatly concerns many people, including Yos Suprapto, an Indonesian artist who articulates his social engagement through non-conventional creative practice. Since 2009, Suprapto has pioneered rice planting using the biodynamic agriculture (BDA) system developed in 1924 by the Austrian educator and innovator Rudolf Steiner. Yos Suprapto argues that, as with art, farming also requires innovation and novelty as well as an intimate understanding of human systems. This includes, an appreciation of the shortcomings associated with the modern world, namely reliance on complex manufacturing processes, often located abroad, and increasingly vulnerable and disrupted international supply chain networks. Farming, then, is Yos Suprapto’s ‘canvas’ and the colors he ‘paints’ are his crops and his ability to not just see the world as it is but as it should be. This study uses productive hermeneutic and aesthetic engagement theories to better understand why Yos Suprapto has insisted on implementing organic farming techniques and how he has also taken advantage of local oral traditions, local materials, and indigenous locally-produced rice varieties to increase harvest yields without the use of synthetic fertilizers and, in doing so, support and advance not only traditional knowledge and time-honoured cultural practices, but also local human food security.
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