Katarzyna Kozyra。艺术领域的艺术家。案例研究

Dagna Kidoń
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引用次数: 0

摘要

本文的目的是在她在艺术领域的地位的背景下,呈现卡塔日娜·科日拉作为批判艺术代表的艺术成就。以1991年的雕塑《裸体研究》为例,将分析扩展到她与观众的关系。2021年3月,华沙Zachęta画廊开展了一项关于现代艺术品接收的研究。受访者被要求观看和解读卡塔兹娜·科兹拉1991年的《裸体研究》。为了面对对作品的普遍理解,并验证艺术交流的效率,对艺术家进行了自由形式的采访,她在采访中提出了自己对研究的解读。艺术家的反应和观众的意见成为这里引用的研究材料。分析揭示了信息的一致性,即使答案与艺术家的意图并不完全重合,但她完全接受了这些答案。这次采访也为反思艺术家在艺术领域的地位以及她与该领域经纪人的关系提供了动力。事实证明,艺术家明显受到政治领域的支配,这影响了她在艺术领域的运作。以上结果可以为进一步研究其他艺术家的创作活动提供启发,他们在艺术领域可能会遇到完全不同的问题,并创造出不同的布局
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Katarzyna Kozyra. An Artist in the Art Field. A Case Study
The purpose of the paper is to present the artistic accomplishments of Katarzyna Kozyra as a representative of critical art in the context of her position in the art field. The analysis was expanded to her relationship with the audience, based on a chain of artistic communication exemplified by the Nude Study sculpture of 1991. In March 2021, a study on the reception of modern artworks was carried out in the Zachęta Gallery in Warsaw. The respondents were asked to view and to interpret, among others, the Nude Study by Katarzyna Kozyra of 1991. To confront the general understanding of the work and to verify the efficiency of artistic communication, a free-form interview with the artist was also carried out, where she presented her own interpretation of the study. The artist’s responses and opinions of the audience became the research material quoted here. The analysis disclosed consistency of the message and even though the answers did not overlap closely with the artist’s intention, they were fully accepted by her. The interview also offered an impetus for reflecting on the position of the artist in the art field and her relationship with the agents in the field. It turns out that the artist is clearly dominated by the political field which affects her functioning in the art field. The results above may offer an inspiration for further research on the creative activities of other artists, who may struggle with completely different problems and create different layouts in the art field.1
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