《完整的剧本,只等着被填满》:《为什么她不愿意》的后现代混合体,作者:萧伯纳和莱昂内尔·布里顿

IF 0.6 4区 文学 0 LITERATURE, BRITISH ISLES Shaw-The Journal of Bernard Shaw Studies Pub Date : 2023-06-01 DOI:10.5325/shaw.43.1.0065
J. Galant
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引用次数: 0

摘要

本文研究了莱昂内尔·布里顿的一份未发表的手稿,其中包括对萧伯纳的《为什么她不会》的放大(sensu gassrard Genette)。布里顿的广泛工作,包含大量的文本外材料,肖的五场十六页原剧的打印稿,以及它的四幕扩展版本,被分析为对原文本主题范围的放大,超前于时代的后现代作品,以及布里顿的主要思想原则的体现,即思想合作,为人类福祉服务。
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"Whole Play Complete, Only Waiting to Be Filled Out": The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton
abstract:This article examines an unpublished manuscript by Lionel Britton, which includes an amplification (sensu Gérard Genette) of Bernard Shaw's Why She Would Not. The extensive work of Britton, containing substantial paratextual material, Shaw's five-scene sixteen-page typescript of the original play, and its extended version in four acts, is analyzed as an amplification enlarging the thematic scope of the original text, a postmodern work ahead of its time, and a manifestation of Britton's main ideological principle of cooperation of minds in the service of human betterment.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
34
期刊最新文献
INTERNATIONAL SHAW SOCIETY Shaw in America (Bernard Shaw on the American Stage: A Chronicle of Premieres and Notable Revivals) Unions, Strikes, Shaw (Unions, Strikes, Shaw: “The Capitalism of the Proletariat.”) "Whole Play Complete, Only Waiting to Be Filled Out": The Postmodern Hybrid of Why She Would Not by Bernard Shaw and Lionel Britton Operatic Adaptations of Shaw's Plays The Devil's Disciple and The Music Cure
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